From this point, the novel progresses in two main directions. The main branch of the story follows Sma forward in time, as she pursues and eventually finds Zakalwe, and as Sma and Zakalwe accomplish, in general terms, the mission on which the SC branch has sent them. This involves convincing a retired politician who supports the "right" side (anti-terraforming, pro-Machine Intelligence) of a conflict in an unstable star cluster to return to the arena and forestall a coming war, and then also involves some intervention in a "brushfire" which has broken out as a precursor to the war. This story is exciting and enjoyable, with plenty of Banksian action, Banksian scenery, and Banksian humor, the last as usual particularly embodied in the character of Sma's drone assistant, Skaffen-Amtiskaw. (Banks' machine characters are inveterate scene-stealers.)

The second plot thread moves steadily backward in time (complicated by a couple of even-farther backward flashbacks), following Zakalwe's career as an agent for SC, back to his recruitment by SC and his war experiences prior to that, and finally back to his formative years as an aristocrat of sorts on a planet with roughly 19th-20th century Earth technology and social structure. This thread allows us to slowly learn more of Zakalwe's character, and of the traumatic events which have made him the rather tortured individual he is at the time of the main action. Thus, the novel's structure is at first blush mildly experimental. However, this structure is really logical, and essential to the reader's experience. Essentially, the main action is illuminated by our growing understanding of Zakalwe's past. And the use of Sma as a viewpoint character (despite her somewhat non-centrality to most of the action sequences) is a vital strategy: in a sense, she becomes a stand-in for the reader: and part of our understanding of the novel is trying to understand Sma's feelings for Zakalwe (which are not romantic at all, by the way), and to measure her Use of the Weapon that is Cheradenine Zakalwe in the context of Zakalwe's humanness, and in a sort of parallel or contrast to Zakalwe's expert use of a variety of weapons.

The climax of the novel is a shocker. However, it's not just a "surprise ending for the sake of the surprise". It's crucial to our understanding of the book: and it gives the book meaning far beyond the (very good) adventure story it has been up to that point. The climax seemed to reverberate back through the entire book, giving new meaning to almost every incident. This is a book which almost demands immediate rereading. I think it is still Banks' best book, and one of the essential SF novels of the past quarter-century.


One of his best   March 22, 2003
 29 out of 35 found this review helpful

The majority of the Culture novels are uniformly excellent, with the only problem in some of them that the final twist is so odd that the book loses some of its impact, or the plot becomes so knotted that the book loses some of its coherance. Not so in this case. This novel tends to deal only peripherally with the Culture, but at the same time their presence infuses and infests the entire novel. Mostly it's the story of a non-Culture fellow who works for them in Special Circumstances (what a great euphemism) doing all the stuff they'd rather not admit to, starting wars, ending wars, waging wars, stuff that he's unfortunately good at. What makes this novel so brilliant is the tight and inventive structure, alternating between the main story itself and scenes from the character's past. All of it is wonderfully written and together they give not only an excellent view of the character in all his possibly dysfunctional glory, but also the rest of the characters (even the most minor character feels three dimensional), as well as a good cross-section of Banks' universe, both of the Culture and the civilizations that aren't part of the Culture. The final twist will change everything and sharp eyed readers will probably figure it out long before the end, although Banks is so good at misdirection and distraction that it barely occurred to me even as it came crashing down on the characters. Definitely his most consistently brilliant work, for once both structure and plot combine to create something that ranks as both first class SF and first class reading, period. If you've got a friend who's been hesitating on discovering Banks' works, give them this one and if that doesn't convince them, well then perhaps nothing will.


Simply the best   January 5, 2000
 12 out of 13 found this review helpful

I have been reading SF for more than 30 years, yet this book was without doubt the most compelling, ingenious, best crafted and best characterised that I can remember ever reading (and I have read all the 'greats'). Work out Cheradinine's motivation (half way through the book I had to stop and cry 'Why does he keep putting himself through all this?') if you can - it's a real stunner when revealed. Oh so clever, so interesting, so shocking - if I never did anything else in my life but write a book even half this good, I would die happy. To confirm what another reviewer said, if you haven't read science fiction before, don't start with this - Player of Games will be more understandable and will give you a frame of reference for Use of Weapons. Interestingly, although the book deals, at first sight anyway, with the business of war and of being a mercenary, of all the people I have recommended this to, women seem to get more out of it and are more enthusiastic then men - who have just enjoyed it rather than raved about it. If you like books that make you think, that need sustained concentration, that need you to be able to remember things from one chapter to the next, yet which are still an enjoyable read - read this, or any other Iain Banks book - you won't be disappointed.


A delicious shudder   February 24, 2003
 9 out of 11 found this review helpful

Of the three Culture novels I've read, I'd say "Use of Weapons" is my favorite. A little disorienting at first, with distinctly non-linear storytelling. The main storyline follows a mission of the meanest badass covert ops agent (working for the good guys, of course) in the galaxy. This is interspersed with flashbacks receding in time. As I'm reading, I'm thinking, that final flashback (the earliest one on the timeline) is going to be really horrific; something involving a white chair that makes our "hero" scream when he lets his guard down and allows the memory to bubble up. Well, Banks does not disappoint, although I wonder about the mental state of anybody who would dream up something like that. Then, toss the final twist into the main timeline to make the secret of the chair even worse, and you have in the end a Grade-A horror story to give you bad dreams for a week.


One of Banks's Best!   August 26, 2004
 9 out of 10 found this review helpful

I just finished reading Use Of Weapons, and I have this horrible sinking feeling that I shall be reading it again very soon. The book has a very Bankian structure, with the prologue happening somewhere in the middle of his life, and then the chapters that advance the plot alternating with his mercenary adventures going backwards until they reach the moment with The Chair, and The Ship... and the moment when Zakalwe became Zakalwe.

The structure and pacing of this novel is quite similar to that of Banks's first book, The Wasp Factory. The ending twist is not as well handled, but the horror event that precipitates is every bit as disturbing, perhaps even more horrific, than the one in The Wasp Factory, and mercifully the twist in Use of Weapons is left doubly ambiguous. We may never know who was telling the truth. And that's probably for the best.

Use of Weapons is a literary masterpiece, Banks can draw pictures of misery, horror, indulgence and excess with a minimum of effort, and he succeeds somehow in making it all fit together. It's not the clockwork mastery of Bujold, but something more organic, more humane, even while you realize that his underlying themes are as ruthless, vicious, and inhuman as any you can imagine.

A lot of Banks's later works, like the almost irrelevant Excession, don't deserve much attention. But Use of Weapons is Banks at his best. The Wasp Factory had a happy ending, of a sort; I can't say that about Use of Weapons. The Wasp Factory stayed with me for a long time, though, and made me feel depressed and horrified at the state of the world, despite the discoveries its plucky and interesting protagonist went through. I highly recommend Use of Weapons for the same reason I recommend The Wasp Factory, but be prepared to be depressed for a long time afterwards.