52, Vol. 1 - Dark Publications

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Editorial Reviews:

Product Description
After the INFINITE CRISIS, the DC Universe spent a year without Superman, Batman and Wonder Woman -- a year in which those heroes were needed more than ever as the fate of the world hung in the balance.

This is 52, a four volume collection of the unprecedented, critically acclaimed weekly series of death, danger, romance, terror and the never-ending search for heroism in the DC Universe's most eventful year ever.

The series features the best and brightest writers from the comic-book field: Geoff Johns (INFINITE CRISIS), Grant Morrison (ALL STAR SUPERMAN), Greg Rucka (WONDER WOMAN) and Mark Waid (KINGDOM COME), working together to tell the tale of a world awakening from a nightmare to face a new day. With their leaders gone, which heroes will stand tall? Who will fail at the most critical moment? Who will live -- and who will die?

Customer Reviews: Read 19 more reviews...

2 out of 5 stars

4 writers, 52 weeks and little to show for it April 22, 2007
13 out of 23 found this review helpful

52 is a weekly series following storylines in Identity Crisis and Infinite Crisis designed for 3 purposes: to show the effect on the Superhero world of a year without Superman, Batman and Wonder Woman, to provide a bridge from the Crisis stories to the World War arc, and to showcase some second tier DC characters.

52 does not realize the potential of the first goal as little reference is made to the Big Three's absence and there is not much exploration of this vacume on the psyche of remaining heroes. 52 is only occasionally successful on the third goal. There are 5 or so loosely intertwined stories featuring characters such as Elongated Man, Question, Adam Strange, Steel, Doc Will Magnus and Black Adam. The latter eventually becomes the dominant theme as well as the basis for World War.

Although the art is passable, it does not represent the energetic and innovative work you would hope for in DC's premiere series. The plot suffers from composition by committee as 4 top writers contribute.

The biggest failure is in elevating second tier characters to A-list status; an accomplishment that DC claims. Booster Gold may improve from silly and uninspired to mediocre but the collection of mad scientists remains just plain silly. There's a new Fate and Question. Adam Strange goes through Hell in space. Animal Man is transformed and Ralph Dibny transcends the grief of his wife's murder. But, I don't see any of these characters on the A or high B list.

I loved Identity Crisis and liked Infinite Crisis but have some concerns about developments in 52. Without much explanation, Luthor devolves from business leader and chief executive back to evil scientist. Black Adam goes through redemption, loss and revenge before literally killing millions of people. (This seems over the top even for a Dr. Doom-like character, let alone for someone who functioned well enough to be in the All-Star Squadron.) Finally, in the latter stages of 52, Adam fights Captain Marvel and all Earth heroes to a standstill. This again represents significant discontinuity with expectations built for the character over the years.

I am a big fan of what DC has done and is doing. I stuck with 52 to the end. But I would not advise others to do the same.

5 out of 5 stars

A Challenging Work... both to the good and the bad July 17, 2007
10 out of 10 found this review helpful

52 was, if nothing else, a grand experiment. Initially, it purported to show what would happen in the DC Universe during a year without Superman, Batman, and Wonder Woman.

Well, the answer there is, as you might expect, pretty much exactly what happens in the DCU books that aren't constantly pandering to the Big Three.

That said, what we do get in these books is an array of talent rarely seen in one place and at one time -- especially as regards third string characters.

While the quality of the artwork varies at times (and with the huge panel count pages no one involved in 52 could be considered a slouch), the writers miraculously provide a consistent and unified tone.

And while 52 does not directly embody the intricacy of an extended Rucka plotline, the unbridled insanity of Morrison, or the straight-up sass of Waid cutting loose; it does show delightful touches of all of three of these authors while remaining generally faithful overall to the work of tried-and-true DC stalwart Geoff Johns.

52 feels more like Geoff Johns on JSA than anything else -- only maybe a bit deeper, a bit nuttier, and a bit funnier -- and for the most part that's a very good thing.

Like Geoff Johns' JSA, you also wouldn't consider 52 an "easy" read. There are lots of panels, lots of tiny text bubbles, lots of storylines running haywire all over the place.

Countdown, the follow-up to 52 headed by Paul Dini, by counterexample, is a much simpler and more straight forward execution. Because of this, in the moment, it feels more engaging -- but does it resonate so thoroughly? Only time will tell.

As befits a book of 52's stature, there are highs and lows, bits that work (Black Adam, Skeets) and bits that don't (Adam Strange, Animal Man, Batwoman). If you plan to read it all, you'll enjoy it. You certainly won't feel gypped. Is it a story that resonates for the ages? No. Is it quote unquote important? No. Does it rival the best work of any of these authors individually? No.

But 52 is a solid story overall and one that in places does manage to captivate the soul.

Casual buyers, bear in mind that none of these trades will contain anything resembling an arc. For a complete story, you must purchase ALL of the 52 trades.

This book: 5 stars. 52, the series: 4 stars.

5 out of 5 stars

Daring, Inventive, Addictive, Amazing: Weekly Comics Experiement Collected! June 3, 2007
9 out of 9 found this review helpful

I bought each issue of this weekly comics as it came out and now I've shelled out for the trade paper back. Why? Because 52 is an amazing soap opera read and is like NOTHING you've ever read before from DC. It's landmark, genre-fusing, crazy, and one of a kind.

It really reads well when strung together like this: all the foreshadowing, all that hard work by four of the most talented and creative writers in the business, it's all there from issue one, page one. To complain about the odd pacing issue on a book that came out week-in, week-out for fifty-two weeks is churlish, but as you may or may not now, hard core comics fans can be ridiculously cantankerous. Give em Citizen Kane, they'd moan that it is in back and white, give them The Godfather and they'll bitch that it's not as violent as Scarface.

All the blurbs on the book's back jacket, from almost EVERY major press outlet, is there for a reason. 52 is an amazing accomplishment, a bird's-eye view of the DC Universe that takes us through one year in the life of some of its fascinating second and third tier characters.

The commentary section after each issue is a very nice bonus and offers insights into how the story changed from it's original conception, how it took on a life and momentum all its own, and how the writers and editors came up with many off their brilliant ideas.

In terms of mainstream superhero comics, this is THE series of the last ten years, and it sets a standard of achievement and excellence that will be hard to match! So do believe the hype: this is a rolicking, fun, entertaining read.

4 out of 5 stars

best enjoyed on its own terms May 29, 2007
7 out of 7 found this review helpful

Other reviewers will invariably take 52 to task for a perceived neglect in achieving what they have taken to be the purported goal of this series. And while there is a certain legitimacy to these gripes, they do a disservice to the series which, on its own terms--which is to say, outside of reader expectations--mostly succeeds in weaving together a diverse collection of narrative threads and character arcs, and eventually coming to some rather clever and exciting, if occasionally confusing, conclusions.

It is true that the extent to which it speaks to the One Year Later stories seems almost an afterthought...but oh well. What it does do is introduce new readers (or reintroduce them to comics veterans) to an assortment of lesser-known but otherwise strong characters from DC's B-list and put into motion events that, by the end, allow each of those characters to shine in a way that a universe dominated by the Big 3 seldom allows. DC never entertained the idea that characters of the ilk of Booster Gold and Elongated Man could someday be A-list headliners of flagship titles. That's just silly. Instead, 52 is an ensemble drama that rewards readers for their attention.

If it has a weakness, it is that the real-time gimmick doesn't always bear out very well, as some plot lines seem absurdly protracted in order to coordinate story and thematic climaxes. But thankfully, this only begins to plague the series about two-thirds of the way in. The first collected volume, which only contains the set-ups, still manages to pack a good deal of narrative punch as it puts all of our protagonists into situations within which they are the decided underdogs:

Booster Gold discovers that he may in some way be responsible for breaking time. Animal Man, Adam Strange, and Starfire are stranded in deep space with a bounty on their heads. John Henry Irons stands as the only moral counterbalance to the hollow promises and Machiavellian intent of Lex Luthor's Everyman program. Ralph Dibny (Elongated Man) is living on borrowed time after a near suicide attempt while he attempts to put his final affairs in order. And so on. You may not care for all of these mysteries or all of these characters, but the chances are good that at least one of these plotlines will suck you in.

At its best, 52 is rousing. At its worst, plodding. Though never particularly bad, in my opinion. And the early installments were all fairly well-paced.

4 out of 5 stars

A year without Superman or Batman Part one June 28, 2007
7 out of 8 found this review helpful

After Dc Infinite Crisis, Superman, Batman & Wonder Woman vanished...was the world defenseless--NOT AT ALL. This 52 week maxi series divided in 13 issue arcs is what great comics are about.

DC did some housecleaning, but brought heros from ages ago and modern day together. It is good work. It is told over 53 weeks that the Superman, Batman,etc are missing.

However, at this books 13 issue division point, you crave for more and more... and the next volume is a month away-I got this first week in june, next volume is mid july-IT is Depressing

Now what DC comics did is better than the mess Marvel Comics calls the Civil War-It is not Civil, nor it is really intriguing, just a hype to spread over all its lines. This 52 week series uses characters and makes the readership involved-a trick Marvel has done for years. It is also One series of books, rather than millions-BRAVO

I can not wait until volume two--or three--or four...and then its 52 series sequal Countdown..OKAY I AM HOOKED

Bennet Pomerantz AUDIOWORLD

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