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| Saving Private Ryan (Special Limited Edition) | 
enlarge | Director: Steven Spielberg Actors: Tom Hanks, Tom Sizemore, Edward Burns, Barry Pepper, Adam Goldberg Studio: Dreamworks Video Category: DVD
List Price: $14.99 Buy Used: $2.85 You Save: $12.14 (81%)
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Avg. Customer Rating: 1685 reviews Sales Rank: 649
Format: Ac-3, Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Limited Edition, Special Edition, Widescreen, Ntsc Languages: English (Original Language), English (Subtitled) Rating: R (Restricted) Number Of Items: 1 Running Time: 169 Aspect Ratio: 1.85:1 DVD Layers: 2 DVD Sides: 1 Picture Format: Anamorphic Widescreen Shipping Weight (lbs): 0.2 Dimensions (in): 7.5 x 5.3 x 0.6
MPN: 667068443325 ISBN: 0783233531 UPC: 667068443325 EAN: 9780783233536 ASIN: B00001ZWUS
Theatrical Release Date: 1999 Release Date: November 2, 1999 Availability: Usually ships in 1-2 business days
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Amazon.com essential video When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas
Product Description Captain John Miller must take his men behind enemy lines to find Private Ryan, whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Genre: Feature Film-Drama Rating: R Release Date: 14-FEB-2006 Media Type: DVD
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Unforgettable. The best war film ever made. April 2, 2004 147 out of 175 found this review helpful
Some people advise others to close their eyes during the loooong opening scene of Spielberg's Saving Private Ryan. That would be a mistake. Yes, it's carnage, it's horrible, it's relentless, it's bloody, it's random death, it's a portrayal of fear and courage and raw coincidence. But it's also one of the most powerful pieces of cinematography ever filmed. There are many other scenes that have stayed with me during the years since I last saw this unforgettable film, perhaps Spielberg's best ever. Perhaps the most poignant one that comes immediately to mind is the woman whose sons are all away at war. She's on a remote farm, washing dishes, and thru her window she sees the dust of approaching cars. She goes outside to meet the visitors, tenses as she sees military brass and a chaplain step from the cars, then crumples wordlessly to the worn boards of her front porch as she tries to take in the news: all her boys have been killed, except for one: Private Ryan. Another related scene, the one that came just before this one, is equally gut-wrenching (and in both scenes, there is no dialogue, just heart-stabbing visuals that are more powerful than any words could have been) as a woman charged with sending out letters of the We Regret to Inform You variety realizes that she's seen three letters with the same address within the past few days, and she takes this terrible proof to her supervisor - and thus is born the search for the surviving son, to bring him home to his momma. Tom Hanks, with his own persona of morality and honesty, is perfectly cast as the good Captain Miller, a soldier's soldier charged with this onerous task, and of course there is terrible cost. Saving Private Ryan is the film Spielberg HAD to make. Outstanding, in every possible way.
Starship Troopers meets Wild Wild West June 16, 2001 104 out of 150 found this review helpful
Which is what you get with this waste of a film. First off, SPR is an insult to the memories of those who actually fought and died during WWII. It is no surprise, therefore, as to why most of the positive reviewers and the film's producers weren't even born until after that time. Very hokey pokey, and a distortion of historical facts, it propagandizes how WWII was entirely won on the European front by white American troops. African, Asian, Hispanic-Americans and other minorities also played major roles in the success of America's involvement in Operation Overlord. Nothing is ever mentioned about the very Europeans who were fighting tooth-and-nails against Hitler even before the US entered the war. The casualties that Britain, France, and the Soviet Union each sustained were many times more greater than that of the US in Europe & the Pacific theater combined. Secondly, SPR supporters try to justify the liberal use of state-of-the-arts special effects, that is was necessary in order to show the grittiness and brutality of war. It doesn't take a rocket scientist to figure out that war is hell whichever way it's served at the cinema (SFX-laden or not). ARMAGEDDON, BATMAN & ROBIN, and LOST IN SPACE also attempted to convey similar messages of violence with their fancy-shmancy bluescreen images. And, just like its predecessors the FX was not enough to save SPR from the PATHETIC SCREENPLAY, DISNEY DIALOGUE, POOR ACTING, and SIMPLISTICALLY LAME PLOT typical of the CAMPY, DRECK Hollywood often puts out these days (for reference, please see Titanic, Men In Black, & Pearl Harbor)...Secure the beach, take out a radar installation, and fight an against-all-odds battle which can only be won in the fantasyland known as the studio backlot. And, to what effect? Just to save one man and to say that it was worth it at the end? WOW, what a very original plot. DUH. But, why should anyone care? Hollywood sure doesn't, just as long as it knows that it has a winning formula from which it can use over and over again to be successful at the box office...EMPLOY VERY EXTRAVAGENT SPECIAL EFFECTS AS A DISTRACTION SO THAT THE VIEWER WILL BE BLIND TO THE FILM'S LACK OF A REAL PLOT. Were the FX in SPR produced using more conventional methods instead of a supercomputer, people would then realize it for the "C" movie that it truly is compared to "The Longest Day" and the contemporary "The Thin Red Line", both masterpieces which are more worth viewing than this....After some 30 years in the business, Steven Spielberg still has yet to learn that good screenplays and good acting are what makes a good film, not Dreamworks and Industrial Light & Magic. AVOID THIS ONE AT ALL COSTS!!
Saving Private Ryan DVD: Definitive Movie on D-Day December 30, 1999 56 out of 80 found this review helpful
This was an awe-inspiring, horrific and honest portrayal of the D-Day landing and the extraordinary sacrifices made by ordinary individuals. Spielberg's hand-held in your face film technique immerses the viewer into the action. Without a doubt, Speilberg's depiction of the landing on Normandy Beach is one the most intense battle scenes ever filmed.It is no less than a sheer masterpiece of filmaking. It is a well-researched, authentic anti-war statement that stands as a tribute to those individuals who endured horrific circumstances and literally saved the free world from tyranny. Saving Private Ryan accomplishes what Schindler's list did in regard to the holocaust and what Oliver Stone's Platoon accomplished in its statement on Vietnam. In addition, Spielberg has not only paid a deserving tribute to the veterans of World War II, he has also produced an excellent anti-war film that deglorifies warfare. There was nothing romantic about being butchered on the battlefield. If there is a hell, the D-Day veterans have already been there. Saving Private Ryan is without a doubt one of the most honest, realistic combat movies ever made. Although Spielberg may not have gotten it all down in regard to the war with Germany; his depiction in regard to Normandy Beach and D-Day are right on target!
Sobering reflection on War November 23, 1999 42 out of 50 found this review helpful
I am a Vietnam vet, a 35-year reservist on active duty in Saudi Arabia, and a college professor who teaches a course on the theory and practice of war. The film blew me away when I saw it on a Saturday afternoon with my wife. We didn't talk for awhile afterwards, just held hands very tightly. I will show the first part of the film to my class on war, after they have read Fussell's excerpts from his WARTIME in the Atlantic Monthly. Then they will reflect on military ethics under such circumstances--Can we expect people act "morally" in such conditions and hold them accountable if they don't?My dad and uncle fought in the Pacific in WWII. Their stories and my own brief encounters with combat conditions confirm the basic realism of the scenes Spielberg shot. Are there inaccuracies in this film? Yes. Is it PC (no blacks, German stereotyping, where were the Brits, etc., etc.) No. But the majority of people I have read here making such comments are twits. The horror of war eats up all its participants. The individual stories of most participants caught up in real wars are tragically mundane and pathetically "undeveloped." (Trying to make an "interesting" story out all the ordinary persons caught up in this sort of thing is a travesty).So Spielberg tells a simple story about ordinary lives smashed at random (or saved at random). What he ultimately accomplishes is to force us into alot of soul searching (at least those of us morally awake) about when and why we should continue to make war, about who we are and what we owe to our parents and grandparents, about whether we are willing to put ourselves or others through this, and if we have anything worth calling up such sacrifice to save. I guarantee that neither Saddam Hussein nor the Iranian ayotollahs want their people watching this and asking these sorts of questions. . . As to why this did not win BEST PICTURE? Because the Hollywood liberals did not want to raise questions about those who ran from sacrifice in recent history or to encourage pandering to patriotism? Who knows. Why not skip serious questions and award the title to a "really interesting story" about Shakespeare in adulterous love.
a film to remember January 13, 2000 41 out of 55 found this review helpful
Saving Private Ryan is by far the most amazingly spectacular film I have ever seen. In addition to delivering an important anti-war message, it also delivers an important series of facts of what the Second World War was like for the average American foot soldier. D-Day has often been described as a 100% successful operation, basically a breeze for our troops and the British. In truth, however, over 8,000 Allied troops lost their lives that day, compared with only 5,000 Germans. 2,000 men alone died on Omaha Beach. While the D-Day objective for the troops landing on Omaha was to drive five miles inland, they were stopped after about about a half a mile. The Germans were not the incompetent poor soldiers as portrayed in some WW2 movies, they were a savagely effective fighting force. The film, does an excellent job of removing these misconceptions. I remember walking out of the theater after the film's conclusion and seeing several veterans weeping, being comforted by their families. Sights such as these immediately helped my understanding of how powerful this movie truly is. A sight like that is powerful for anyone to see, much less an 18 year old like me. I believe that this movie is a story that needs to be told. It is to World War II what All Quiet on the Western Front is to World War I, and Platoon to Vietnam. This is not a movie you should see, it is a movie you MUST see.
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