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| Agatha Christie's Murder on the Orient Express | 
 enlarge | Director: Sidney Lumet
Actors: Albert Finney, Lauren Bacall, Martin Balsam, Ingrid Bergman, Jacqueline Bisset
Studio: Paramount
Category: DVD
List Price: $9.98
Buy New: $4.40
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New (41) Used (23) Collectible (4) from $3.85
Avg. Customer Rating:  108 reviews
Sales Rank: 1615
Format: Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Subtitled), English (Original Language), French (Original Language)
Rating: PG (Parental Guidance Suggested)
Number Of Items: 1
Running Time: 127
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: D087904D
ISBN: 0792198247
UPC: 097360879049
EAN: 9780792198246
ASIN: B0002I832C
Theatrical Release Date: November 24, 1974
Release Date: September 7, 2004
Availability: Usually ships in 1-2 business days
Condition: BRAND NEW, Factory Sealed items direct from the Studios. 30 Day Satisfaction Guarantee. Quick International Airmail!
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Amazon.com essential video
Just the name "Orient Express" conjures images of a bygone era. Add an all-star cast (including Sean Connery, Ingrid Bergman, Jacqueline Bisset, and Lauren Bacall, to name a few) and Agatha Christie's delicious plot and how can you go wrong? Particularly if you add in Albert Finney as Christie's delightfully persnickety sleuth, Hercule Poirot. Someone has knocked off nasty Richard Widmark on this train trip and, to Poirot's puzzlement, everyone seems to have a motive--just the setup for a terrific whodunit. Though it seems like an ensemble film, director Sidney Lumet gives each of his stars their own solo and each makes the most of it. Bergman went so far as to win an Oscar for her role. But the real scene-stealer is the ever-reliable Finney as the eccentric detective who never misses a trick. --Marshall Fine
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| Customer Reviews: Read 103 more reviews...
 Superb cast in deluxe, restored edition of DVD September 16, 2004
100 out of 114 found this review helpful
Agatha Christie's mysteries changed the genre. With twists, turns and credible watertight plotting her novels divorced themselves from the hackneyed conventions of the genre. Sidney Lumet's superb film of Christie's novel looks marvelous on this deluxe DVD from Paramount. The rich, colorful cinematographer of Geoffrey Unsworth ("2001: A Space Odyssey") looks terrific. Lumet's assured hand guides the film without hesitation to a truly stunning conclusion. Paramount has remastered the soundtrack for Dolby Digital 5.1 giving the sound a richer feel than previous video editions of the movie. While it doesn't quite convey the detail one might hear in a brand new movie, it does a great job of improving an already great mystery movie.
After working on a case, Hercule Poirot (Albert Finney) travels home on the Orient Express hoping for a relaxing journey. Instead, when the train is caught in the show he's drawn into a mystery on the very train he's traveling on. A millionaire named Ratchett (Richard Widmark) has been brutally murdered. Who could the murderer be and what was his or her motive? Poirot must work this out and discover which of the train's passengers committed the crime. He discovers an unusual link between the millionaire and many of the passengers on the train. Is this the vital link that will help him solve the crime?
Featuring a stellar all cast of Hollywood and London stage and screen veterans, "Murder on the Orient Express" chugs along on the charm of the performers, a solid script by Paul Dehn ("The Spy Who Came in the Cold", "Goldfinger", "Beneath the Planet of the Apes") and outstanding direction by Sidney Lumet ("The Verdict", "Deathtrap", "Network", "Prince of the City"). The casting is a bit unusual. While Albert Finney probably wouldn't be most fan's first choice for Poirot, he gives a marvelous performance as Agatha Christie's detective. I've read reviews criticizng Finney's performance and, while he may not be the "ideal" Poirot his interpretation is unique and works perfectly for this film.
I'm pleasantly surprised that Paramount has sprung for all the extras here. We get a documentary that can be viewed all at once or by segments. The documentary features interviews with Sidney Lumet, producers John Brabourne, Sean Connery, Jacqueline Bisset, Michael York, Richard Goodwin, writer-director Nicholas Meyer ("Star Trek II: The Wrath of Kahn", The Seven Percent Solution) and the grandson of Agatha Christie discussing the hard road to producing the film. Evidently, Christie reluctantly agreed to give the rights to the film to the producers at first but was won over when she found out that producer Brabourne had worked on "Tales of Beatrix Potter". Lumet comments on the difficulty in having Finney play Poirot as he was too young for the role (Alec Guinness and Paul Scofield were Lumet's first and second choices). The marvels of make up helped sell Finney in the role and the fact that he played against audience expectations worked for him in the role. Lumet recounts a funny story where the cast got together to read the script together the first time couldn't hear the cast. Why? Because the stage actors were in awe of the theater actors and vice versa. Lumet's challenge was honing an acting style that was consistent between all the very different performers. "Murder" is one of those few mysteries that live up to its potential despite considerable odds against it doing so. It's clear that the cast respect and love Lumet-how else to explain Connery, Bisset and York agreeing to appear in a documentary on the making of the film for the DVD? There's also a discussion of the real life inspiration for part of the story-the Lindbergh kidnapping. Another marvelous documentary by the talented Laurent Bouzereau, his work has become the standard against which all other writer/producer/directors of extras on DVDs should be measured. His work here as on "Duel", "E.T." and other DVDs continues the tradition of digging up the past to enlighten those of us who couldn't possibly have been there.
"Agatha Christie: A Portrait" gives us insight into the mysterious life of the elusive novelist. We're also told almost as much about her most famous creation Poirot who appears almost as elusive as the novelist herself. This eight minute featurette puts a human face on a remarkable mystery novelist who helped reinvent the genre. We also get the original theatrical trailer which demonstrates how much work went into restoring and transferring this beautifully shot film. Smudged with loads of analog blemishes, the comparison between the trailer and the film indicates the great work that went into improving this film for DVD. There's no commentary track but Lumet's insightful observations in the documentary more than make up for the lack of such a track.
Beautifully restored with enhanced sound, "Murder on the Orient Express" probably didn't look this good when it showed in theaters in 1974. The outstanding international cast of screen and stage veterans along with Dehn's sharp adaptation and Lumet's assured direction makes "Murder" one of the best films made from one of Christie's convoluted mystery novels. It's a joy to watch.
Excellent whodunnit with a surprising twist July 31, 2004
47 out of 58 found this review helpful
To me the definitive Hercule Poirot will always be Peter Ustinov, but in 1974 Albert Finney tackled the role in this excellent adaptation of the Agatha Christie novel of the same name and the movie continues to this day as one of my very favorite whodunnit's - thank goodness it is finally making its way to DVD.
Starring a cast that is simply incredible this movie set the standard for the Ustinov star studded movies that would follow (starting with 1978's DEATH ON THE NILE). Included on the list of stars are such names as Sean Connery, Jacqueline Bisset, Sir John Gielgud, Richard Widmark, Vanessa Redgrave, Ingrid Bergman and Anthony Perkins.
Aboard the Orient Express a businessman (played by Widmark) with a mysterious past is murdered in the middle of the night. Desperate to resolve the matter before they arrive at the next major stop on the line (to avoid a lengthy police investigation) Hercule Poirot is persuaded by an executive for the train company to begin his own investigation. An avalanche over the line gives Poirot plenty of time to interview all the passengers and make his conclusions as to the guilty party (or parties).
When Finney's Poirot faces off with the fellow passengers and describes his account of how the murder was committed and by whom you will be amazed - astounded. It's this very element and the star power of this movie that carries this intriguing mystery far above the standard whodunnit fare.
The movie is well plotted, the acting beyond reproach and the direction steady and inspired. MURDER ON THE ORIENT EXPRESS is a triumph in every respect, and when you consider it takes it's story from the worlds most read and respected mystery author it's not difficult to see why.
 Elegant, stylish murder mystery... September 2, 1999
16 out of 16 found this review helpful
...but turn on the closed captioning, because as one reviewer pointed out Albert Finney's heavy accent and often garbled speech could try anyone's comprehension, not to mention patience. But Finney is still excellent, though he falls short of David Suchet, who is the quintessential Hercule Poirot.But enough about that. They rarely make films this lavishly entertaining anymore. "Murder on the Orient Express" is visually striking to say the least; the Orient Express and its various set pieces are magnificently rendered, and at no small expense either. The all-star cast is impressive; from Lauren Bacall's scene-stealing American chatterbox to Anthony Perkins' disturbing, PSYCHO-reminiscent secretary, the cast list adds emphasis to the idea of the house-party whodunit. The film is, essentially, a Hollywood party on a grand scale. Although the film is sluggish at times and the unraveling of Agatha Christie's labyrinthine plot doesn't work as well on the screen as it does on paper, this is still great fun, the perfect Saturday night movie for viewers who like a dose of wit and intelligence with their entertainment.
On the Whole, Excellent December 12, 2003
14 out of 16 found this review helpful
This classic 1974 film is, for the most part, an excellent adaptation of Agatha Christie's most famous novel, MURDER ON THE ORIENT EXPRESS, which stars Hercule Poirot as the ingenious yet slightly egotistical little Belgian detective. The cast is filled with distinguished actors: Albert Finney, Ingrid Bergman, Dame Wendy Hiller, Lauren Bacall, Michael York, Vanessa Redgrave, Sean Connery, Richard Widmark, and many more. I must state right away that I don't care for Finney's interpretation of Poirot. Perhaps I am simply biased, having been "brought up" on David Suchet's refined, humorous, yet never ridiculous characterization, which strikes me as definitive. The rest of the actors play their parts to perfection. Particular standouts for me include Martin Balsam as Poirot's Italian friend, Bianchi (Balsam's Italian accent is wonderful; one would never guess that the actor was in fact Jewish and from The Bronx) and Sir John Gielgud, very witty as the murdered man's butler (!) Anthony Perkins is outstanding as the murdererd man's secretary, a more sympathetic Norman Bates. Sidney Lumet's direction is, of course, beyond criticism. The elegant yet cramped atmosphere of the train is ideally conveyed, while such sequences as the opening, the discovery of the murder victim, and the flashback-reenactment of the murder are stunningly effective. You should watch this if you want to see a filmed version of MURDER ON THE ORIENT EXPRESS. However, I would suggest also watching any of the "Poirot" episodes to experience David Suchet's interpretation of the title character.
Classic Mystery Comes To Life On Screen November 24, 2001
13 out of 14 found this review helpful
One of Agatha Christie's best novels has been transformed into perhaps the best feature film based on her works. Of the six I have seen, only the 1945 version of "And Then There Were None" rivals this one.After a newsreel style montage descrbing a kidnapping, based on the Lindbergh case, which is backstory for the film, we open in Istanbul. A group of passengers board the famous Orient Express for a journey across Europe to Calais. On board, among others, are a railway executive, Bianchi, and his friend Hercule Poirot, the famous Belgian (don't call him French) detective. Also on board are an American businessman, Mr. Ratchett, and his secretary and valet, as well as about 10 other passengers. One night, the train is forced to stop by a snowstorm, and the next morning, Mr. Ratchett is discovered murdered in his berth. Bianchi persuades Poirot to determine who has killed him, and the real story begins... As Poirot, Albert Finney is the center of this film. While his Poirot may be jarring to those used to David Suchet in the BBC series--Finney is far more animated, even histrionic--he nevertheless conveys the character's intellect, and his ego, quite ably. Finney is superb in the extended final scene, where Poirot reconstructs the murder. The supporting cast is glittering, and generally very strong. Ingrid Bergman won an Oscar for Best Supporting Actress, although her role is actually fairly small. Lauren Bacall has the meatiest role aside from Poirot, and she is in splendid form. Vanessa Redgrave, despite having only minimal dialogue, makes a very strong impression, while John Gielgud and Wendy Hiller are nearly as fine. Only Anthony Perkins, somewhat miscast and stammering through his lines, and Michael York, whose accent, ostensibly Hungarian, comes and goes, fall short of the high standards of their costars. Richard Rodney Bennet's score is very nice, and well matched to the action, and the opening scenes, before the action closes in on the snowed-in train, are visually beautiful. While the pace may be a bit slow for those accustomed to action films in the "Lethal Weapon" style, I encourage everyone to give "Murder on the Orient Express" a try.
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