The Horror of Frankenstein - Dark Publications

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Young victor frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments. But when the doctor runs out of fresh body parts for his research he turns to murder to complete his gruesome new creation. His monster unleashed its own ghastly killing spree. Studio: Starz/sphe Release Date: 08/07/2001 Starring: Ralph Bates Veronica Carlson Run time: 95 minutes Rating: R Director: Jimmy Sangster

Customer Reviews: Read 17 more reviews...

4 out of 5 stars

Surprisingly good. August 8, 1999
9 out of 9 found this review helpful

I guess this movie really should've had only 3 stars, but I give it 4 because after all the bad things I'd heard about it, it's a pleasant surprise. O.k., it may not be scary, but no one watches early 70's Hammer to be frightened, anyway. -Same sets, same atmosphere, etc. This movie is more of a comedy. The cast is the good thing about this film. Bates, in his largest role for Hammer, is wonderful. He's brilliantly arrogant as Frankenstein; clearly enjoying the part. it also features a pre-"Frenzy" Jon Finch. The baron isn't caught in the end, revealing that Hammer wanted to make more Frankensteins with Bates, but since the film flopped this plan was unfortunately dropped. It would've been interesting to see; it couldn't possibly have turned out worse than much of the studio's later stuff. (P.S.-only downer: this tape is in the damn EP mode.)

3 out of 5 stars

Hammer's Updated Baron Frankenstein From 1970 October 28, 2004
7 out of 7 found this review helpful

For years I had heard very critical summaries of this 1970 version of the classic story of Frankenstein and the monster he creates out of stolen human body parts. Hammer Studios, long famous for their revivals of classic Universal Horror stories had their first big success with their 1956 version of the old Mary Shelley novel "Frankenstein", which they titled "The Curse of Frankenstein". Starring Peter Cushing as Baron Frankenstein and Christopher Lee as the Monster, this film provided the basis for a semi regular series over more than a decade of stories continuing Baron Frankenstein's experiments in creating human life. Peter Cushing went on to play the role 6 times and became forever associated with the role of the mad scientist experimenting with the very essence of life. For this version filmed in 1970 however Hammer decided to go back to the roots of the Frankenstein story and they cast up and coming actor Ralph Bates in the role of Victor Frankenstein. Much criticism was leveled at this casting decision as Peter Cushing had of course put his indelible stamp on the character over many years. In fact however it made sense as "Horror of Frankenstein", goes back to the Baron's school days before he began his experiments. Peter Cushing, for all his great expertise in playing the role was simply too old in 1970 to play the earlier scenes in this particular version. To my surprise after reading of the critcial panning this film received on release I found it to be a very handsomely mounted and entertaining version of this often filmed story far from the disaster that I was led to believe. Ralph Bates makes a highly suitable Frankenstein in my belief and portrays the Baron as a much darker individual than audiences perhaps were accustomed to seeing in earlier versions. Bates' Baron has few redeeming character traits and hides his evil nature under a debonair facade that makes for an interesting interpretation of the character.

This version of the story takes us back to Frankestein's youth where even at a young age the young nobleman's self confidence and arrogance allows him to outsmart his teachers and in the case of one (Geoffrey Lumsden), he succeeds in convincing him that he is ill thus avoiding a punishment. Returning home to Castle Frankenstein believing he can learn more with his own research Vicot comes into conflict with his dissolute father the Baron (George Belbin), who keeps him on a tight rein financially. Victor decides to take matters into his own hands to get his inheritance ahead of time and arranges for one of th eBaron's hunting rifles to back fire thus clearing the way for Victor to become Baron Frankenstein and begin enjoying all th epleasures of th eposition which include the attractive servant Alys (Kate O'Mara), who had also shared his father's bed. Victor sets up an elaborate lab in the Castle and with the help of his friend Wilhelm (Graham Jones), he begins some rathe runusual experiements on life starting first with a turtle and then graduating to experimenting on creating a human. Wilhelm is revolted by Victor's collecting of human body parts courtesy of the local grave robber (Dennis Price), and when he threatens to expose Victor he is murderd by his former friend who uses his hands in the creation of his creature. Childhood friend Elizabeth Heiss (Veronica Carlson), who still is in love with Victor comes back into his life however Victor decides that Elizabeth's father has the sort of brain he needs for his experiments and continues his killing spree by first poisoning him and when the graverobber has delivered the "item", to Victor he also suffers a horrible fate when Victor dumps him in a tank of acid. The creature is now complete and during an electrical storm Victor manages to bring it to life however it is not the placid creature expected but a murderous monster. Doing Victor's bidding for him the creature first kills Alys and the grave robbers wife who are suspecting that Victor is responsible for the earlier murders breaks but then breaks loose and goes on a rampage. Attacking Elizabeth back at the Castle Victor hides the monster in the empty acid tank but when the police along with some of the terrified villagers arrive one of the little girls accidently pulls the rope that fills the tank with acid thus destroying forever Victor's man made monster.

Viewers expecting a classic version of the Frankenstein story such as was seen in the Boris Karloff trilogy back in the 1930's are liable to be disappointed with "Horror of Frankenstein", however there is much to admire in this updated story. Hammer Studios always had a way of creating good looking productions out of small budgets and while this film does at times reveal some short cuts they are not ones that detract from the story. Ralph Bates, stepping into the shoes of the legendary Peter Cushing certainly had his work cut out for him here however he does a more than capable job in his one outing in this famous role. His Victor Frankenstein is all charm and good looks on the surface which hides a very corrupt and sinister character underneath that cares for neither family or friends. Ralph Bates was an extremely talented actor who was being groomed at this time for greater things with Hammer Productions just as their prolific output of horror efforts was slowing down. His combination of good looks, and talent for playing characters that were both good and bad made him a natural for these type of horror stories. The supporting actors surrounding Bates in this effort couldn't be faulted and represent a fine school of performers that were typical of these late Hammer era productions. Actress Veronica Carlson had already appeared in one of the earlier Peter Cushing Frankenstein efforts for Hammer, "Frankenstein Must Be Destroyed!", when she came on board here playing the role of Elizabeth Heiss, Baron Frankenstein's childhood friend who still carries a flame for him. Kate O'Mara really shines in the role of the seductive servant Alys who gets more than she bargains for when she tries to play Victor Frankenstein at his own game for which she pays dearly. Being a story about creating a human being out of used body parts obviously means that grave robbers would naturally feature prominently in the story. Here Dennis Price as the hard drinking grave robber of this story who supplies Victor with the corpses he needs for his "work", delivers an at times amusing perfomance and his scenes with his wife (Joan Rice), have a certain amount of macabre humour to them. Their best scene togethe ris when they are disturbing the fresh graves in the cemetary and the gentleman gets his poor wife to do the actual digging while he discusses the fortune they will make from a reported tragedy at sea that finds bodies being washed ashore along the coast! Jon Finch as Victor's childhood friend Lt. Becker who leads the investigation into the deaths and Bernard Archard as Elizabeth's father who becomes Victor's prey when a fresh brain is needed also score well in their respective parts. Much debate has always arisen over David Prowse as the Monster. Certainly his creature could never compete in appearance or personality with Boris Karloff's classic interpretation of the character however with each screening of "Horror of Frankenstein", I feel he makes an acceptable creature in his own right if you dont try and compare him to Karloff. Certainly his scenes where he is trying to break loose from his chains or is wandering around the countryside striking terror into the locals or tearing apart a bird to eat raw have their own horrific qualities. Visually "Horror of Frankenstein", could afford to be more explicit than many of the earlier versions given the year it was made. This is best illustrated in the gruesome scenes when Victor is assembling the creature from sawn off body parts and when he wipes his face with blood covered hands during the "operation", which gives this film a far more raw quality than in previous Hammer efforts. Period detail in all respects is certainly a strong point of "Horror of Frankenstein", with the attractive Victorian atmosphere well represented in costume and sets. Frankenstein's lab where he conducts his experiments is one that we have come to expect from Hammer Productions filled as it is with bubbling containers, test tubes and assorted wires, in short the classic mad scientist's lab in vivid colour.

While it certainly is not the best Hammer version of the frankenstein story "Horror of Frankenstein", is also not the shoddy effort so often dismissed by the critics. Ralph Bates creates a quite different and interesting Baron Frankenstein here that really does hold your interest. Often criticised for being slow moving in particular in the first half of the film I feel that is necessary in letting us know a bit more about Frankenstein's character and what is motivating him to conduct such experiments that have him resorting to murder to achieve his aims. "Horror of Frankenstein", is an interesting slant on the classic story and any fans of classic horror characters and Hammer Productions interpretation of them in general will want to include this version in their collection. Enjoy!

2 out of 5 stars

Disappointing Hammer July 17, 2001
6 out of 10 found this review helpful

Don't get your hopes up for this 1970 Hammer film as it's several rungs below any of the other Frankensteins made by Hammer. Very noticeably absent is any horror(silly monster) and really can't understand the R rating as there was no nudity and very little gore. Film never seems to go anywhere nor generate excitement and by the end your wondering what was the point? Really would have hoped for more from Mr. Sangster, considering his contributions to Hammer's classics. A black humored misfire.

4 out of 5 stars

"You're tampering with forces we don't fully understand." September 19, 2005
4 out of 5 found this review helpful

Upon looking at the reviews on Amazon and The Internet Movie Database, it seems the general consensus regarding the Hammer release The Horror of Frankenstein (1971), originally released in the UK in 1970, is that it's a prime example of the decline of the work released by the once great studio that revitalized the horror genre, probably most famous for breathing new life into the old Universal horror standards like Dracula and Frankenstein, and making household names out of actors like Peter Cushing and Christopher Lee. Sure, there are any number of better Hammer Frankenstein films (I think there were six or seven in all) like The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), The Evil of Frankenstein (1964), the latter to be soon released in a Hammer Horror Series DVD set, but I did enjoy this release, despite the fact the film disregards these previous releases, perhaps in an attempt to develop a new series...problem (one of a few) was, fans were so enthralled with Cushing as Frankenstein and Lee as The Monster, I don't think they were willing to buy off on a variance in the casting (or the humor within), and, subsequently, the film was ill received when released. Produced, co-written and directed by Jimmy Sangster (X the Unknown, The Curse of Frankenstein, Dracula), the film stars Ralph Bates (Taste the Blood of Dracula, Dr. Jekyll and Sister Hyde), one of a handful of male actors Hammer was grooming in the late 60s and early 70s to replace Cushing and Lee. Also appearing is Veronica Carlson (Dracula Has Risen from the Grave, Frankenstein Must Be Destroyed), Kate O'Mara (The Vampire Lovers), Dennis Price (Horror Hospital), Graham James (Blood from the Mummy's Tomb), Jon Finch (Frenzy), and David `Darth Vader' Prowse (Vampire Circus, Frankenstein and the Monster from Hell, Star Wars) as The Monster.

As the story begins we see a young Victor Frankenstein (Bates), listless with his studies, request from his father that he be sent to the university in Vienna so that he may actually further his studies. Pop says no, so victor arranges an `accident', and subsequently becomes the new Baron, to do as he pleases (Victor inherits not only his father's estate, but also the comely young housefrau/bedwarmer Alys, played by O'Mera...homina homina). Anyway, turns out the university is more of the same, so Victor returns home, his classmate Wilhelm (James) in tow, to engage in his own experiments which involve re-animation (since this is a Frankenstein movie, you'd kind of expect that, I suppose). After an initial success brings back to life a wee, small creature, Victor makes arrangements with a local graver robber (Price) to acquire `raw materials' for a full-blown human experiment. Wilhelm gets skittery and departs Hammer style. Victor continues on alone, sewing together his creation (or monstrosity, whichever you prefer), and we learn it takes 25 separate parts to make a whole man...go figure. Eventually Victor does bring back to life his assemblage of parts (looking a little like the monster played by James Arness from the 1951 film The Thing from Another World), but it has a serious flaw in that the brain was a bit damaged, and the creature has all the intelligence of a sponge...oh yeah, it also likes to kill...oh goody, a nearly seven foot, muscle bound behemoth (Prowse is 6'7'' in real life) with homicidal tendencies...that will go over real well with the locals...anyway, big, bald, and stitchy escapes a few times, some of the household staff attempt blackmail, local buxom blonde (Carlson) has the hots for Victor, and the town constabulary is sniffing around...

Despite its many flaws, I did enjoy this film. I was impressed with how much was actually going on (much of it unnecessary), how many characters flittering about, and the fact Sangster managed to keep everything coherent and in line. James character of Wilhelm and Carlson's character of Elizabeth (the buxom blonde) were both essentially useless...I did like Kate O'Mera as the jealous house maid and Price as the grave robber (who made his wife do all the actually digging), but the real treat here was Bates as Victor. His character is radically different from those versions of Frankenstein we've seen before as while those others often were portrayed as devoted scientists interested in their experiments for altruistic purposes, Bates' character was completely self-centered and only interested in doing what he was doing because he had the brains and talent to do so...his character is a suave, relatively vile, smarmy, entirely conceited, flippant individual always ready with a sly remark, completely uncaring of those around him. Even his own creation rates the kindness and affection on would bestow upon a stray, mangy, ill-tempered mutt. And then there's the monster...gone is any sense of empathy for the creature, one `born' into existence not knowing or understanding from whence he came, exhibiting the innocence and gentleness of naive being encased in a powerful, hideous form, hated for no other reason that existing...this is replaced with a soulless, hulking automaton brute whose primary reaction to external stimuli is to destroy it...there is no question of morality of actions raised within this story, no pondering of who the real monster is (Bates and his `creation' are both monsters equally), no regret towards ones actions, but only nasty, unredeemable individuals doing naughty things unto others for their own, base purposes, some getting their comeuppance, some not...which I really didn't mind as much as I thought I would, specifically because how many times can one rehash as story and make it interesting? Hammer fans will notice the absence of two elements within this film, blood and nekkid women...there is a little bit of hemoglobin, but not nary enough to satisfy. And as far as the lack of skin, I don't require it within the films I see, but, by this time, it had become customary within Hammer horror films...a flash here or there would have been enough, especially given a pair of lovelies like Carlson and O'Mera...there's some really good cleavage on Ms. O'Mera's part, but that's about it...while the story may not have been up to par with other, better releases, at least the settings and props (the castle, laboratory equipment, and costumes) were up to snuff. All in all, an decent production which will probably be unsatisfying to an expectant many, but for what it was, the effort put forth (those involved all seemed to have fun making the movie), the morbid sense of humor throughout (check out how Victor suggests handling the Dean of the university's daughter after he knocks her up), and Bates' roguish, lecherous character, I enjoyed it nonetheless. The part I liked best was when Victor, busy searching for parts (which he has numbered on a scale drawing in his lab), envisions one of the numbers on a the head of a visiting man...it's the brain he be needing...

Anchor Bay Entertainment provides a sharp widescreen (1.85:1) print on this DVD, along with a suitable Dolby Digital mono audio track. Included is a commentary track with director Jimmy Sangster and Hammer historian Marcus Hearn, a 14 piece titled Frankenstein, Dracula, and Me: Interview with Veronica Carlson, two theatrical trailers, talent bios, a poster and still gallery, a Veronica Carlson photo gallery, a gallery of art by Ms. Carlson (which is pretty pointless, in my mind, all things considered), and liner notes by Travis Crawford, along with a reproduction of original poster art for the film, included on the DVD insert. A five star release of a 3 star film, hence my four star rating.

Cookieman108

By the way, if someone named Frankenstein ever recommends you to take the shortcut through the woods, don't you do it...

3 out of 5 stars

Different kind of monster March 28, 2000
3 out of 4 found this review helpful

This is actually like a dark spoof of Curse of Frankenstein. The humor is hereand there throughout the film. Ralph Bates plays the young Baron, instead of being obsessed with his work like Peter Cushing was, Bates sees the science as tinkering. I found this film very amusing, just try to think that this is not part of the series. A lesser actor could not have pulled this one off, this is a testement to Ralph Bates because he makes this film. Give it a chance, but don't take it too serious.

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