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| Gormenghast | 
enlarge | Director: Andy Wilson (iv) Actors: Celia Imrie, John Sessions, Warren Mitchell, George Yiasoumi, Ian Richardson Studio: BBC Warner Category: DVD
List Price: $34.98 Buy New: $27.97 You Save: $7.01 (20%)
New (5) Used (11) from $12.77
Avg. Customer Rating: 99 reviews Sales Rank: 34965
Format: Color, Dvd-video, Ntsc Language: English (Original Language) Rating: Unrated Number Of Items: 2 Running Time: 270 Aspect Ratio: 1.33:1 Shipping Weight (lbs): 0.3 Dimensions (in): 7.4 x 5.5 x 0.5
UPC: 794051154521 EAN: 0794051154521 ASIN: B00005B9CZ
Theatrical Release Date: June 10, 2000 Release Date: July 3, 2001 Availability: Usually ships in 1-2 business days Condition: MISSING OVERWRAP, spine seal in place, minor corner wear, New item, prompt shipment!
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| Editorial Reviews:
Amazon.com The BBC's lavish, glowingly designed adaptation of Mervyn Peake's eccentrically brilliant novels Titus Groan and Gormenghast is a triumph of casting. Ian Richardson's Lear-like depiction of the mad earl of a remote, vast, ritual-obsessed building is matched by the brutal pragmatism of Celia Imrie as his wife, the synchronized madness of Zoe Wanamaker and Lynsey Baxter as his twin sisters, and the duplicitous charm of Jonathan Rhys-Meyers as Steerpike, the kitchen-boy determined to take over no matter how many deaths it costs. John Sessions is surprisingly touching as Prunesquallor, the family doctor who realizes almost too late what Steerpike intends. It is always tricky to film a book dear to the hearts of its admirers. Wilson and his design team achieve a look rather more pre-Raphaelite than Peake's own illustrations--shabby velvets, garish sunlight, and dank, stone passages. The score by Richard Rodney Bennett is full of attractive surprises--fanfares and waltzes and apotheoses--and John Tavener's choral additions are plausibly parts of the immemorial ritual of Gormenghast. --Roz Kaveney
Description Since its publication at the end of World War II, Mervyn Peake's masterpiece, The Gormenghast Novels," has stood unchallenged as one of English literature's most extraordinary flight of imagination. Its themes of treachery, decay, madness and honor have come to be regarded as a metaphor for the fall of an empire, the passing of an age, and the rise of fascism. The glorious castle of Gormenghast is home to the ancient family of Groan, where nothing has changed for thousands of years. The dynasty is threatened by the charming and evil kitchem-boy, Steerpike. With the birth of a new heir, Titus Groan, Steerpike begins his ruthless ascent to power. As he charms, outwits and terrorizes the castle's inhabitants, only the young and timid Earl of Groan, Titus, stands in Steerpike's way. Who will ultimately rule Gormenghast?
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| Customer Reviews: Read 94 more reviews...
At last--a worthy adaptation of the Peake novels June 11, 2001 71 out of 78 found this review helpful
I've seen this in England, and I can faithfully vouch for the fact that yes, the first two volumes of Mervyn Peake's masterpiece trilogy have finally been accorded their due on the screen. I should start by warning fans of the novels that the Gormenghast realized here is much prettier than you would expect; perhaps the film's producers were worried that a vision of the giant castle and its environs as decayed and yellowed as Peake imagined might be too offputting to anyone but fans of the novels? As a result, Gormenghast is slightly too pretty at times to convey the sense of Gothic dissolution Peake intended: even the campsite of the carvers seems gussied up in pretty green decor. And in the central role of Steerpike Jonathan Rhys-Meyers looks smashing and works hard, but fails to turn in the truly bravura performance the part requires (in part because he lacks tremendous physical presence, despite his sneering beauty).
On the other hand, so much is given to us in this version that it would be churlish to complain. Celia Imrie steals the show as the brutally abstract and terrifyingly towering Countess of Groan: she has both the presence and the ability to play the role. The great Fiona Shaw transforms herself exactly into Peake's sketches of Irma Prunesquallor, and Zoe Wanamaker and Lynsey Baxter do something very original and believable as Titus's half-witted and murderous aunts. The special effects are at times jawdropping, and at times the director allows for the off-kilter camera angles--and yes, even the Gothic atmnosphere otherwise missing--that brings you back to Peake's original vision (the library sequence is particularly smashing). This is the kind of adaptation that, even with its few flaws, one would never have dared hope to have seen.
Great rendition of the Gormenghast series May 16, 2001 37 out of 40 found this review helpful
I first heard about Gormenghast when I was watching Red Dwarf on BBC America. During the commercials, they played a long trailer which showed elaborate costumes, interesting backgrounds (some obviously computer generated), and an odd assortment of characters. I got the impression that it was some sort of fairy tale. Best of all, it boasted two of my favorite actors, Christopher Lee and Stephen Fry. The show came on every Saturday, and I watched each hour or so segment every week. The story revolves around an old castle called Gormenghast. The people themselves are born into caste systems, and adhere to the strict rules and rituals of the Kingdom. Nothing changes; the culture won't let it. That is, until Steerpike, a young kitchen hand, grows tired of the kitchen life and denounces his caste. His goal, to seek for better things, and for him better things can only mean greater power. Now, after the reading the books, I was all the more impresed with the BBC rendition. While the series had to cut out a lot of scenes, as the trilogy itself is huge, they were very prudent with their cuts. While they couldn't capture the absurdity and creative flair in its entirety, they also didn't rehash Mervyn Peake (the author's) tendency towards pointless, self-indulgent waste (i.e. cliche romance scenes/dialogue), and occasional repitition (i.e. conversations and thoughts of characters). However, the acting was superb, the costumes elegant, and the plot as unique as ever. Above all is Jonathan Rhys-Meyer (Steerpike), and Christopher Lee (Flay). Also, Zoe Wanamaker and Lynsey Baxter did a superb job playing the mad twin sisters(and stroke victims) Cora and Clarice Groan. Gormenghast runs miles around anything America produces (i.e. Noah's Ark, The Tenth Kingdom), and deserves, despite its minor flaws (even those from nitpicky Peake fans), nothing short of 5 stars.
An unsettling and captivating dark fantasy May 28, 2004 31 out of 33 found this review helpful
"Gormenghast" is an odd series, a little too odd at first glance. I have never read the books, and didn't even know that a "Gormenghast" series existed when I watched it. I just thought it looked like an interesting fantasy series, so I gave it a try.It was very surprising, and I had to watch the first episode twice before I got a feel for the series and could get captivated by its peculiar meter and character. However, when you get sucked in it is as complete a world as "Labyrinth," "Legend" or any other such darkly gothic fairy tale kingdoms. The endless rituals, the conflicting costumes, the affected accents and speeches all combine to create a disturbing reality of crumbling decadence and a society that has run its course, aching for change and new blood. The amazing actors in this series, many with an impressive fantasy film pedigree, are what pull you in, and force you to believe in the topsy-turvy kingdom. Christopher Lee ("Lord of the Rings"/"Star Wars"/"Dracula"/Too many to name...) brings you home right away as the brutish but loyal Flay. It is interesting to see him play such a sympathetic and nobel character, after watching him is so many villain roles. Jonathan Rhys-Meyers ("Bend it Like Beckam," "Titus") is perfect as the charming anarchist Steerpike. who plays a necessary role as a bloody catalyst for change. Zoe Wanamaker ("Harry Potter and the Sorcerer's Stone") and her sister Lynsey Baxter play the bizarre twins perfectly, with an unsettling atmosphere each time they are on screen. Ian Richardson, who comes with an impressive Shakespear resume, portrays the descent into madness of the Earl of Gormenghast, as crumbling as his realm. The BBC again proves that they know how to make quality programs, allowing for a slow wicked pace and a weird mood along with bright costumes and talented actors. I highly recomend "Gormneghast," but give yourself some time to get into it. You might have to watch the first episode twice like I did.
5 Star Movie, 1 Star DVD July 9, 2001 23 out of 26 found this review helpful
When I first watched this mini-series, it was on BBC America. It was divided into 4 episodes. Each episode was an hour long. It was also in widescreen (1.85: 1). The second time I watched it, was on PBS, two weeks ago. This time it was divided into two episodes, with the first one being episodes one and two, seemlessly edited together. The same applied for the second half. This version was also in widescreen. Then the DVD came out. Now, it's been my experience with DVD's based on TV a mini-series (Merlin, Joan of Arc, The Stand) that they should be presented better then they were on television, not worse. The DVD version is not in widescreen, it is Pan-and-Scan (Although, there is no message on the case telling you that it has been edited from it's original version). Also, they didn't edit the episodes together. Instead, they put the first three on disc one and the last one on disc two with the special features (which, along with the packaging, were the only pluses). And the picture has serious artifacting problems. Here's a little note to BBC and Warner Brothers, so that they can make a version of the movie that I and other fans of the film will buy:Put the first two episodes, seemlessly edited together, on disc one. Put the second two episodes, edited together, on disc two, along with the special features. Make it anamorphc, so that it can be watched on widescreen TV's. If you can't handle this, then maybe you should hand the job over to PBS and Artisan. They know what there doing.
Avoid the pan and scan travesty May 29, 2003 22 out of 23 found this review helpful
This was a thoroughly enjoyable movie . . . on TV, where it was broadcast in widescreen format. Then somebody had the bright idea to butcher it with a pan and scan DVD transfer. This movie will be worth buying, when it eventually shows up in the original widescreen aspect ratio.
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