From breathtaking stop-action animation to bittersweet modern fairy tales, filmmaker Tim Burton has become known for his unique visual brilliance -- witty and macabre at once. Now he gives birth to a cast of gruesomely sympathetic children -- misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings -- hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

Someone needs to explain this to me and fast, `cause I don't get it: how is it that bad poetry (and yes, folks, this is truly bad) and art that looks like a second-rate Edward Gorey ripoff (Burton is not the illustrator that he is the sculptor and animator) can be so insanely funny? I am completely at a loss for why I liked this anywhere near as much as I did.

Let's face it, if you squint right while watching The Nightmare Before Christmas, it's obvious even in Burton's finest work that the specter of Edward Gorey looms large over Burton's material; it has never been more obvious than it is here. Many of his characters even seem to have the same basic brushstrokes Gorey used in his illustrations. Which is not to say they're bad; they just look like Edward Gorey work. Not even as blurred as Bacon's famous study of Pope Pius.

And the verse? Absolute doggerel. Even conceding the idea that Burton is using Gerard Manley Hopkins-esque sprung rhythm (which he's not, because sprung rhythm does, at least, HAVE a rhythm), the implementation is so amateurish that it's impossible despite the rhymes to call this anything resembling poetry.

but good living Christ on a crutch, is this book funny. Morbid, twisted, insane, gut-churning (despite the pretty cartoons, folks, this is not one to buy for the kiddies; flip through the title story for a good example of why), and full of laughs. One almost gets the idea Burton was going for a place as the anti-Dr. Seuss. Little vignettes about characters who fade in and out like Dish Network reception in a typhoon, popping up unexpectedly here and there and doing exactly what you were hoping they wouldn't.

If you are at all a fan of Tim Burton, this is a must-read. If you're not, you're probably going to notice the faults and not find what lies beneath them. ***


You don't have to be twisted to like this book!   November 5, 1999
 20 out of 22 found this review helpful

You don't need to like dark things in order to like this dark book. You don't even need to be gloomy or sad to read it. This book is just brilliant. It's innocent and child-like tales will transport you to another level of imagination. You will sympathize with the poor creatures in this book, because they need to be loved too. You will smile and laugh and empathize. I highly recommend giving this book as a gift. Everyone i have lent it to, including corporate execs--really liked it. I also highly recommend "Lenore: Noogies" by Roman Dirge for something similar in terms of art and storyline, which Tim Burton also praises.


Same as the previous edition, but w/ a slip cover   December 19, 2004
 20 out of 20 found this review helpful

This is a great collection of drawings and illustrations from Tim Burton which I would definately reccommend. HOWEVER, keep in mind that the HOLIDAY EDITION is simply the ORIGINAL EDITION, with the addition of a new holiday themed slip cover. Remove the slip cover and you've got the same book. Just don't want anyone ordering thinking that it's a new edition with all-new or additional poems and art. Now that that's out of the way, buy this book! (Either edition, and any time of the year!)


A "Melancholy Death of Oyster Boy" review by Fernando Leal   November 16, 1997
 18 out of 21 found this review helpful

Tim Burton once again surprises and delights us with his new book, "The Melancholy Death of Oyster Boy and Other Stories". The book is a subvertion to the children's fairy-tale book genre. If you look at the book and flip through its pages, you'll say it's indeed a children book, and it's supposed to look like one. But the book has several direct sex and drugs references (i.e., the sexual problems of Oyster-Boy's parents, and "the girl who sniffed lots of glue"), and most of the characters of the tales die at the end. Tim Burton, who's given us such wonderful movies as "Edward Scissorhands", "The Nightmare Before Christmas", and "Pee-Wee's Big Adventure", has now made a wonderful book, filled with what he's best at, unusual, misunderstood and outcast characters. "The Melancholy Death..." is a collection of tales of little freak kids who live in deep sadness for not being understood or accepted. The stories are told through melancholic verses and the illustrations (by Tim Burton) are simple and extremely elegant. Once you meet characters like Melonhead, Stick-Boy, The Boy With Nails in His Eyes, Junk Girl, The Pin-Cushion Queen, it gets easier to understand how Tim Burton could come up with such an original and bizarre film as "Edward Scissorhands". It's as though he was one of the kids from the book. The references to sex reminded me of "Batman Returns", where Tim Burton subverted the action-movie genre, turning a Batman blockbuster movie into an expressionist tale of sex and horror. The Penguin, by the way, makes an appearance in the book as a child (The Hideous Penguin Boy). "The Melancholy Death of Oyster Boy" is a wonderful book and a must for any Tim Burton fan.


Burton's Dark Success!   January 27, 2000
 12 out of 13 found this review helpful

I have always admired the on-screen work of Tim Burton but had not known about his literary endeavours. When I was given this book as a present I did not expect much of it even though the title intrigued me and front cover art work was bizarre. I found this to be a collection of surreal accounts of abnormal children but still able to touch and allow the reader to endear to these beastly freaks of nature. The darkness in these stories are reminiscent of much of Burton's film work and the artwork is almost as powerful as the stories themselves. This book works on every possible level as it is simple yet sinister enough to be potent. A definite must-read for all those with a slightly twisted outlook on the world!