"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
--from the Introduction

Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.

This is not your typical self-help book. This is a book written by artists, for artists -- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone-now enhanced by internet posting-has placed it among the best-selling books on artmaking and creativity nationally.

Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies.

An excerpt:

Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...

I'm also glad that I read some of the interesting discussions of art vs. craft and art vs. science. Their approach to explaining the differences was rather philosophical and not definitive, but it was interesting none the less since probably none of us are able to draw an exact line between those things.

However, I also have to say that I found this book very annoying and patronizing. It's full of constant reassurances as if they're speaking to someone that's got tears streaming down their cheeks and saying "I'm not sure if I can go on being an artist, boo hoo... I don't know if I have what it takes". The books tone kind of comes off like "there, there, Rome wasn't built in a day... you know what Picasso would say about this... well Mozart always said to keep your chin up!".

I also found it really annoying how the book is constantly pulling up some kind of story or lesson from a rotating selection of artists from random mediums. You'll be reading along and they'll throw in something like "Mozart used to cry for ten hours before he could even write a note" and "Ansel Adams was constantly on the verge of suicide because he felt insecure about his photography skills". Of course those aren't real quotes from the book, but they are examples of what I find annoying. I know they were writing a book about art in general and they have to throw in things about different art forms occaisionally, but it just seemed really patronizing.

Like I said I'm glad I've read it, but I probably wouldn't have if I really knew what it was. This book is for people that are very afraid and very insecure. It will give you lots of reassurance and make you feel better about yourself. However, if you are not depressed and on the verge of quitting, then I think you may find this book to be very annoying.


Learning by Doing!   September 4, 1997
 131 out of 142 found this review helpful

Art & Fear is an easy book to rave about, but it is a particularly difficult book to write about. The authors have chosen their words so well, that it seems as if there ARE no other words with which to talk about this subject or this book. I'll try anyway, fully knowing that whatever I might say surely will not please me as much as what I have read in their pages. And this is part of the message of Art & Fear, one of the lessons to be learned - just do it and learn from it.

Art & Fear is an unpretentious little paperback, written by two lifelong friends who have been artists, as well as other things, for most of their lives. Both of them have their feet firmly rooted in the real world that we all live in (however high their ideas and ideals might fly), and both of them have keen insights into what enables individuals to produce good art and to continue to produce good art, and what stumbling blocks stop many individuals. These insights are of value to artists in any medium whatsoever, and are in fact likely to be of significant value to many individuals who don't think of themselves as artists at all. One doesn't need to be an artist to be struggling with goals that seem beyond your reach and a lack of appreciation from others; it's just a little more pervasive in the artmaking world.

Reading this book is like sitting down with the authors for a long and lively conversation. You'll learn something of them, and something of yourself, and good things are sure to come from it. I've actually found it too good to keep to myself - I'm on my 6th copy now, as I keep giving them away to friends!


There's still the work to be done...   November 21, 2002
 74 out of 79 found this review helpful

I agree that this is a very clearly, respectfully, and unpretentiously written book that can serve as a companion to any artist. Making art can otherwise be a lonely,daunting undertaking. My concern for readers of this book, as with readers of The Artist's Way, is that it can be a pacifier. If it gets you to your work sooner and with greater courage and confidence, all the better. But if it substitutes for the process itself--makes you feel better but does not get you "working"--then it's something to pick up but let go of. There's a growing genre of books like this out there, some (such as this one) better than others. The sage advice gets recycled, as do the homilies from famous people. And again, that's fine, as long as they get us to a place where we are working with more energy and joy, but perhaps not so fine if the internal process becomes more interesting than the art-making. Did you paint today? No. But I reread passages of Art & Fear...


A Must Read for "non-artists," too   July 8, 2003
 44 out of 46 found this review helpful

I do not describe myself as a practicing artist. I have practiced Emergency Medicine in large urban teaching hospitals for 25 years. Until a year ago, I hadn't played a 'cello or bass viol for 35 years, and hadn't written a poem in almost as many. I started writing letters to a friend making a difficult passage 8 months ago, to suport the process, and began to recall the letters and poetry I used to write. I wrote 50 letters in 6 months, then "hit a wall." After reading this book, I began rediscovering my "art," outside of my professional and personal life. Art may not be my life, but my Life is more Artful after reading this book. It will not get the "disappointed and afraids" a good job after art school, but it may help anyone began to reconnect to that Fearlessness that permeates early childhood, and from that, a richer expression of themselves. I will not write the great american novel, and probably nothing publishable, but the authors have made a genuine contribution to the quality of my life today. Try it.


ART & FEAR is a book you will wish you'd known about before.   January 14, 2002
 42 out of 45 found this review helpful

I read ART & FEAR in one sitting; I could not resist the gentle wisdom contained on almost every page. (My trusty highlighter was nearly emptied as I found much text that I wanted to reread and remember.)

To any artist "stuck" in creative quicksand (whether it be fear, self-doubt, perfectionism -- whatever), the writers reach out a long and sturdy tree limb for you to grasp to pull yourself free and back onto solid ground. They don't just leave you standing there either, but provide you with the tools you'll need to find your own way home.

One of the many quotes from ART & FEAR that I like is: "To make art is to sing with the human voice. To do this you must first learn that the only voice you need is the voice you already have."

Other things I will say about ART & FEAR is that it is VERY thought provoking, thorough, insightful, and challenging with a few flourishes of humor. The information presented will apply to artists of all persuasions.

I will very likely read ART & FEAR again and again and will probably find new gems with each read (either previously overlooked or not yet understood).

Once read, you will want to lend ART & FEAR to your artist friends. I suggest you keep your copy and either recommend that they get their own, or, order one for them as a gift they will appreciate many times over.

Finally, because I feel that I have received much from reading ART & FEAR, I send a heartfelt "thank you" to the authors, David Bayles & Ted Orland. I very much appreciate the authors' wish to share what they have learned (and especially for bringing their wish to fruition) with anyone that is interested and that they managed to provide me, someone quite unknown to them, with a real sense of being seen and understood (without ever feeling condescended to). Quite a gift!

ART & FEAR is a book you will wish you'd known about before but you will be glad you managed to discover now. "When the student is ready the teacher will come."