Philosophical themes touching from demonic extestentialism to the symbiosis of the living, dead and undead in a unique coexistence are revealed, but without clear resolution. Such conclusions, if any, are left to the reader.

The text and illustrations are reminiscent of the late, great, American composer F. Zappa's anti-authoritative view of the individual's struggle against those who cast judgment upon those deemed not to be of equal moral worth. There is also an exploration of the unique "relationship" between man and his almost perverse reliance on household appliances- clearly a larger metaphor of the intrusion of technology upon people who were, at one time, self-reliant and free-thinkers. In an interesting twist, morality is expressed not in terms of right and wrong, but in exercises of the mind and body, reminiscent of the oft-overlooked and underappreciated masterpiece of celluloid, "A Life of Ninja."

Also permeating this work is the influence of Ayn Rand, especially with respect to the individual's struggle within society. These ideas are not given passing treatment, but ring true of a devout follower and disciple of these teachings. First and foremost, however, this book is a clear homage to the works of poet N. Peart. This is most evident in the "diary" (page 21), which bears a strong resemblance to the internal struggle of conscience and its tragic resolution by the protagonist in "Soliloquy" (part VI) of Mr. Peart's 1976 oeuvre known by it numerical title. While the author may scoff that such close parallels were intended, it is obvious, even to the casual reader, and cannot be denied.

Even though it is early in the new millennium, the reviewer is confident this book will be remembered as one of the most important works of the 21st century.

Ook.