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| Diane Arbus Revelations | 
enlarge | Author: Diane Arbus Publisher: Random House Category: Book
List Price: $100.00 Buy New: $62.51 You Save: $37.49 (37%)
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Avg. Customer Rating: 14 reviews Sales Rank: 29716
Media: Hardcover Number Of Items: 1 Pages: 352 Shipping Weight (lbs): 5.5 Dimensions (in): 12.8 x 10 x 1.6
ISBN: 0375506209 Dewey Decimal Number: 770.92 EAN: 9780375506208 ASIN: 0375506209
Publication Date: September 30, 2003 Availability: Usually ships in 1-2 business days Condition: Absolutely Brand New & In Stock. 100% 30-Day Money Back. Direct from our warehouse. Ships by USPS. 1+ million customers served-In business since 1986. Happy Customers is Our #1 Goal. Toll Free Support
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Amazon.com Review Muscle men, midgets, socialites, circus performers and asylum inmates: in the 1950s and '60s, photographer Diane Arbus (1923-1971) cast her strong eye on them all, capturing them as no one else could. Her documentary-style photos of society's margin-walkers were objective and reverential, while she often portrayed so-called normal people looking far more freakish than the freaks. Her powerful work was well-received in its day. Arbus received Guggenheim Fellowships in 1963 and 1966 and was included in a major show at MOMA in 1967. But her work entered the realm of near-myth after her 1971 suicide. Posthumously cast as everything from patron saint of the underdog to a crass exploiter of the mentally challenged, Arbus has curiously never had a large retrospective until the show Revelations was organized by Arbus' family and SF MOMA. The accompanying catalogue is an oversized, sumptuous, beautifully printed tome. It includes all of the artist's iconic photographs as well as many that have never been publicly exhibited, including many pages of contact sheets, journal entries, and family snapshots. This work is so strong, it's mind-blowing. The giant in his apartment with his parents looks absolutely regal, his parents sad and confused. Are those crazy people always so happy? And what to make of this moment of extreme tenderness between a dominatrix and her client? This is a book worth hours of your time. --Mike McGonigal
Product Description Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.
Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.
The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.
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| Customer Reviews: Read 9 more reviews...
Arbus according to Arbus October 27, 2003 54 out of 55 found this review helpful
This is the catalog for a show that opened this week at SFMOMA. It is also a document of considerable authority and very little of the cult shrine that is part of the show. There is no doubt that this is a thorough assessment of Arbus' place in the history of her medium. The first chapter of of the written material is scholarly and completely devoid of the overstatement usually plastered on Diane Arbus. Instead, the author relates her work to that of her various teachers and influences, Lisette Model, Gary Winogrand, Lee Friedlander, August Sander, and many others. There are numerous references to and from her notebooks as well as the notes of others but the writing is neither superfluous nor voyeuristic. It is art history at its best.The selection of her photographs is comprehensive and well organized as you would expect from her estate which owns them all. No doubt the Fraenkel Gallery near SFMOMA had a lot to do with the quality of the show and book. Read it before you attend the show and you will learn a lot even if you've never heard of her. Coupled with the detailed chronology of her life, the images give a clear picture of a character which has been obscured by mythology and rumor for 30 years. I am not a fan of Diane Arbus (and certainly not a detractor) but I gained a lot of respect for her as an artist as I read her notes and quotes about her own work. If you are looking for a biography of a brave young woman artist in the mid-twentieth century, this one is good. It is thorough and not editorialized with adjulation. The only gratuitious facts that I would have left out are the cold details of her death in the coroner's reports at the end of the book. Yet I get the impression this is the way she would have wanted it. This is the book she would have written. Absent some equal scholarship to the contrary, this is the truth about Diane Arbus.
Revealing, revalatory November 18, 2003 47 out of 49 found this review helpful
I own two Arbus monographs and have lived with them for over 20 years. Many of those works are reproduced in this volume. There is a lot of talk about "the human condition" and I suppose all artists in one way or another wrestle with the notion. Arbus has always meant to me someone who seemed to reveal who we are beneath the fashion, the roles, the sex, the culture. I used one of her images as a means to illuminate a poster for a Sam Shepard play called Icarus' Mother - it was of a very young New York boy holding a toy hand grenade in a threatening way during play in Central Park - once seen never forgotten. Nor will I forget her self portrait, naked pregnant, in this latest volume. So much. So much. This is the volume Arbus lovers have been waiting for. Printed in Germany, beautifully bound, positively packed with images, diary entries, extracts from letters, comment. A bargain.
Warning! For hard-core Arbus fans only June 13, 2004 22 out of 26 found this review helpful
I enjoy Diane Arbus' photos, but this book is too much for me. Her photos are only a small part of the book -- the majority of the book is a catalogue of her life. The contact sheets are quite interesting, as they reveal a lot about how she approached a subject. The rest will likely appeal only to hardcore Arbus fans.
A brilliant tribute to a great artist August 5, 2004 16 out of 17 found this review helpful
Diane Arbus was best-known for her stark, black-and-white photographs of the outer fringes of society. She was very much of her time period, since the things she had to go outside of the lines to photograph (inter-racial couples, people with tattoos, drag queens, etc.) are now a part of every day life. I was fortunate enough to see a display of her work at the L.A. County Museum of Art, and this volume is a wonderful companion to the show. Not only are all the plates from the show included, but also copies of correspondence, pictures of her cameras, and the story of her sad, short life. In many ways, she was ahead of her time, with the un-smiling, un-flattering portraits of real people, at a time when most photography was glossy, and reality was still somewhat hidden.
Like most brilliant artists, she was troubled and was not happy with her life. She took her life at a relatively young age, before she could see the modern world, reflected from her early photographs. It is a pity, but we are lucky to have the photographs of Diane Arbus live on.
An Apt Title! October 15, 2003 14 out of 15 found this review helpful
The first book I ever saw that made me realize photographs were more than family snapshots was Diane Arbus: An Aperture Monograph. For years I've wondered about the woman who took those photographs and how she worked...from getting her subjects to pose for her, to how she developed and processed her film, and also about her life. Revelations provides many answers and more. Kudos to DA's daughter Doon for releasing this material in a beautiful volume that has already provided hours of enlightenment, and it just arrived today. The printing is immaculate and the text is amazing with lots of passages from DA's journals, notebooks, school papers, letters and postcards. This book may well become the definitive work on her, as it provides much more insight to her life and work then the unauthorized biography from the 1980's by Bosworth. This is a perfect book, in my opinion.
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