Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today's teens. Steve is an adolescent caught up in the violent circumstances of an adult world--a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel's handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve's journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) --Jennifer Hubert

Product Description

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.

FADE IN: INTERIOR COURT. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.

O'BRIEN
Let me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .

STEVE
You think we're going to win ?

O'BRIEN (seriously)
It probably depends on what you mean by "win."

Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.

Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.

As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

2000 Coretta Scott King Honor Book, 2000 Michael L. Printz Award, 1999 National Book Award Finalist, 01 Heartland Award for Excellence in YA Lit Finalist, 00-01 Tayshas High School Reading List, and 00-01 Black-Eyed Susan Award Masterlist

2000 Best Books for Young Adults (ALA), Hornbook Fanfare 2000, Michael L. Printz Award 2000, 2000 Coretta Scott King Award Author Honor Book, 2000 Quick Picks for Young Adults (Recomm. Books for Reluctant Young Readers), and 2000 Best Books for Young Adults (ALA)

"The best time to cry is at night, when the lights are out and someone is screaming for help".

So writes Steve Harmon, the sixteen year-old accused felon and hero of this story. Myers adeptly creates a new form of fiction in this Printz winner of a book. Finding jail too painful to endure, Steve recounts his life and court appearances by styling his journal in the form of a movie. The title of this movie "Monster" refers to a statement made by the leading prosecutor about Steve, the defendant. Falsely accused of aiding and abetting a robbery and consequent murder of a local drugstore and its manager, Steve recounts his current status, his past hopes and dreams, and the pain he must endure day to day. Kids reading this book might have some difficulty grasping exactly how this book's protagonist is connected to the murder. Certainly there isn't a detailed description of the extent to which Steve was connected to the killers in the neighborhood. But Myers gives his readers a lot of credit, believing they'll figure out what's going on, on their own. Steve's experiences in jail are a pared down version of the t.v. show "Oz". There are several references to sexual assault, in addition to violence and some mild language. I wouldn't be handing this book to your five-year-old but for any kid that's curious about jail or being "tough", this book can do you no wrong.


Scary, realistic, and compelling   December 11, 1999
 15 out of 15 found this review helpful

This novel really makes one think about society's view of young black men, and about young black male's preception of themselves. Why do good kids get into trouble? And why did Steve Harmon? What happens to good kids when they do get put into jail and they have to be with harden criminals-who do they become? MONSTER, brings these questions to light and there are no answers. But as a young hispanic female, recommending this book to a young african-american male is hard. One teen looked at me and looked at the cover and asked me if i thought he was a monster. Of course I do not. But I wish more than anything this young man would have picked up this book because I think that it would have helped him at looking at himself with the question Steve Harmon asks himself WHO AM I?.

I truly believe anyone who picks up this book will also ask themselves the same question WHO AM I? I know I did.


wonderful   January 19, 2000
 10 out of 12 found this review helpful

A few reviews below tell you the ending of the book, so if you want to read the entire book and play "juror", then please do not read all of the reviews.

I played "Juror" as I read the book, and I was floating back and forth the entire novel...so that tells me 1 very importnat thing that the author has made his point and done so effectively.

Certainly a well deserved winner of the first Prinz Award for Young Adult Fiction.


"Monster"   January 21, 2000
 9 out of 10 found this review helpful

This is a very depressing book. It is a page turner and at some points it is a tounge twister. It was a good book and I reccomend it to young adults and higher.