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| The Good Guy | 
enlarge | Author: Dean Koontz Publisher: Bantam Category: Book
List Price: $7.99 Buy Used: $0.01 You Save: $7.98 (100%)
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Avg. Customer Rating: 180 reviews Sales Rank: 2030
Media: Mass Market Paperback Number Of Items: 1 Pages: 496 Shipping Weight (lbs): 0.6 Dimensions (in): 6.8 x 4.1 x 1.3
ISBN: 0553589113 Dewey Decimal Number: 813.54 EAN: 9780553589115 ASIN: 0553589113
Publication Date: April 29, 2008 Availability: Usually ships in 1-2 business days Condition: Cover wear and may contain some marks or writing. Keen Northwest ships in 2 business days or less. Refunds for any reason if item returned within 30 days of shipment.
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Product Description Timothy Carrier, having a beer after work at his friend’s tavern, enjoys drawing eccentric customers into amusing conversations. But the jittery man who sits next to him tonight has mistaken Tim for someone very different—and passes to him a manila envelope full of cash.
“Ten thousand now. You get the rest when she’s gone.”
The stranger walks out, leaving a photo of the pretty woman marked for death, and her address. But things are about to get worse. In minutes another stranger sits next to Tim. This one is a cold-blooded killer who believes Tim is the man who has hired him.
Thinking fast, Tim says, “I’ve had a change of heart. You get ten thousand—for doing nothing. Call it a no-kill fee.” He keeps the photo and gives the money to the hired killer. And when Tim secretly follows the man out of the tavern, he gets a further shock: the hired killer is a cop.
Suddenly, Tim Carrier, an ordinary guy, is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer far more powerful than any cop…and as relentless as evil incarnate. But first Tim must discover within himself the capacity for selflessness, endurance, and courage that can turn even an ordinary man into a hero, inner resources that will transform his idea of who he is and what it takes to be The Good Guy.
From the Hardcover edition.
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| Customer Reviews: Read 175 more reviews...
Koontz just gets better and better June 11, 2007 42 out of 49 found this review helpful
First off, there is nothing supernatural in this book. That deserves to said up front, as some people prefer Koontz when he is writing in a different vein. This was one of the most riveting suspense novels I've read lately. The basic dilemna? A guy walks into a bar and is mistaken for a hired killer. He tries to pay off the REAL killer and, for a time, it seems as if this will work. But the killer catches on and the chase is on, as "the good guy" tries to save a beautiful woman from death. To add to the intrigue, she has no idea why anyone would want her killed. Neither does he, of course. So they have to keep running from a guy who seems to be almost psychic, a man with connections that run deeper than could ever be expected. I loved the way each character practically jumped off the page, the interaction between them and more. The subtle details Koontz adds are what separates him from other, less skilled writers. His writing is also tight, tense and neither stereotypical or too dense. Take this one with you this summer or have it on hand for times when you want a good read. You won't be disappointed! Other Koontz books worth checking out:
The Husband
Brother Odd (Odd Thomas Novels)
A Thriller Clinic June 6, 2007 34 out of 40 found this review helpful
"Good Guy" Tim Carrier, a mason by trade with a body (and head) like John Wayne, finds his low-key lifestyle interrupted by a bizarre barroom encounter, during which he's handed an envelope full of money and kill instructions intended for a contract killer. Forced to make the first of what will be many quick life-or-death decisions, Tim removes the target's photograph and address from the envelope and attempts to call off the kill minutes later, when the real assassin arrives at the bar, by posing as the buyer and offering up the $10,000 as a no-kill fee in consideration for his change of heart. As Tim suspects, however, this ruse buys him only limited time, which he uses to alert the intended victim, the physically lovely but psychologically fractured Linda Paquette, of the murder plot. In short, an opening hook that I found every bit as irresistable as the one that kicked off last year's "The Husband."
What ensues is a classic cat-and-mouse thriller, in which Tim and Linda must draw upon all of their physical and mental reserves to stay a step ahead of an assassin for whom the term psychopath doesn't begin to do justice. What's worse, he seems to almost magically anticipate Tim and Linda's every move, giving the impression that he's acting under the direction of a group with law enforcement connections and daunting technological capabilities. As always, Dean Koontz finds clever ways to build suspense, telling the story from several points of view and propelling the story line forward in bite-sized chapters that could easily be visualized as scenes in a blockbuster movie.
Koontz uses another interesting technique to build suspense that I found particularly effective. While we gradually learn, through Tim's incredible skill in evading the killer and his unflappable grace under pressure, that he must harbor a past profession in which he cut things other than stone, Koontz withholds this secret from the reader until the final pages of the book. He does the same with Linda and her past, contributing not only to the suspense but also to the extended first-date-type-thrill of romance that blossoms amidst the carnage.
Other than one creaky floorboard in the plot structure (the explanation behind the contract on Linda's life), "The Good Guy" is, cover to cover, one of the finest thrillers I've ever read. Some professional critics have faulted the ending, something that Koontz has struggled with in some of his books, but I thought he nailed this one perfectly. In Tim Carrier, he also has created a humble hero for our times, and perhaps kept the door open for a sequel.
A rivetting thriller by a modern suspense master June 12, 2007 20 out of 24 found this review helpful
Tim Carrier is just a nice guy with a big head. When he enters a bar, no one notices. When he saddles up to the counter and orders a drink, only his friend the bartender really pays attention to him. Well, the bartender, and the nervous man who followed Tim into the bar--the guy who thinks Tim is a contract killer.
Confused, Tim watches as the man leaves...only to be replaced, minutes later, by the REAL hitman. This guy is cool, collected, with dark eyes that convey all manners of evil. It won't be long before this man realizes Tim is not his employer; and soon Tim and the target, a beautiful woman named Linda, will be running for their lives from the ultimate human evil.
"The Good Guy" starts out like Koontz's last few novels; i.e., rivetting and suspenseful, but not entirely unique (Koontz has created a new genre: the too-good-to-be-true hero with a mysterious past, running from a sociopathic human evil). However, "The Good Guy" soon branches into territory Koontz hasn't explored since the eighties, and is a wonderful return to a darker suspense form. It's a shame Koontz has been branded a horror novelist (ironically enough, the sole novel that earned him that monicker was in fact a science fiction tale), because he is truly a master of suspense. Nobody writes like he does; his imagery is breathtaking, his knack for banter un-paralleled. True, I'd like to see more grit in his writing (starting in the late nineties, with the exception of "Odd Thomas," his novels have been almost happy-go-lucky), but when it comes to analyzing happiness and love and everything that makes us human, few do it better than Koontz.
From a fan of Koontz, this is not 'Good' at all October 6, 2007 15 out of 21 found this review helpful
Almost every Koontz book that you pick up will have a few saving graces. Primarily for myself, I enjoy the first half of just about every one of his books. I have been thinking for a while that it would be nice to take his stories, rip out the last half of all of them, and end up with a collection of entertaining 'Twilight Zone' style stories. The reason I say this is because Koontz really knows how to start a story in a manner that grabs the reader and brings them into a world that is startlingly fresh and interesting concept wise. However he always, and I mean always wraps his stories up in exactly the same fashion. His bad guy is foiled by the good guy who gets the girl that he probably has found during whatever book it is you picked up.
With that aside, the reason 'The Good Guy' rates a whole lot lower on my Koontz scale than most of his stories is that this time he pretty much races into what is normally the middle of most of his novels. The plot races towards Koontz usual cat and mouse play within the first twenty or so pages and you miss out on the enjoyable build up. So what you are left with is a long drawn out chase scene and a mushy ending.
I suppose that most of you will not agree with me. Alas, I wish that this were a better book. The writing is at times perhaps the very most contrived that I have ever come across in Koontz's books. for example...
"Is there something I should know? Have you been in trouble sometime?"
She blinked "Not me. Im as straight as a new nail that never met a hammer."
"Why does that sound to me like there was a hammer, maybe a lot of hammers, but you didn't bend?"
"I dont know. I dont know why it sounds that way to you. Maybe you're always inferring hidden meaning when none is implied."
"Im just a bricklayer."
Ah... at times it is painfully bad. I wish Koontz would write a true 'horror' book and not have the quality of his writing end up creating most of the terror.
Who says good guys finish last? June 5, 2007 13 out of 19 found this review helpful
The Good Guy is another hit for Dean Koontz. His ability to draw you into a story with such rich characters is an amazing gift. In The Good Guy, we find Timothy Eugene Carrier, who is a mason by trade. He enjoys relaxing at his favorite watering-hole, trying not to draw attention to his 6'3", 210 lb frame. He sits on the end stool farthest from the door in shadows to appear as if he is the smallest guy in the tavern. Tim Carrier is an honest to goodness "good guy." He is honorable and trustworthy and is solid under pressure. All these qualities make him the perfect hero, a role he shuns.
On one slow Monday evening, a case of mistaken identity sends Tim on a mission to save a stranger and he unwittingly uncovers a conspiracy that could endanger everyone he loves. This is an amazing story. Typical of Mr. Koontz's recent work, it is fast paced and set in the space of a day. It's almost like reading an episode of 24 where Tim Carrier is Jack Bauer.
If you loved Velocity and The Husband, you will love The Good Guy. Who says good guys finish last?
- Jennifer
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