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| What the Dead Know | 
enlarge | Author: Laura Lippman Publisher: Harper Category: Book
List Price: $7.99 Buy Used: $0.01 You Save: $7.98 (100%)
New (56) Used (62) from $0.01
Avg. Customer Rating: 113 reviews Sales Rank: 7994
Media: Mass Market Paperback Number Of Items: 1 Pages: 400 Shipping Weight (lbs): 0.4 Dimensions (in): 6.6 x 4.1 x 1.2
ISBN: 0061128864 Dewey Decimal Number: 813.54 EAN: 9780061128868 ASIN: 0061128864
Publication Date: March 1, 2008 Availability: Usually ships in 1-2 business days
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Product Description
Thirty years ago, the two Bethany sisters, ages 11 and 15, disappeared from a Baltimore shopping mall. They never returned, their bodies were never found, and only painful questions remain. How do you kidnap two girls from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now, decades later, in the aftermath of a rush-hour hit-and-run accident, a clearly disoriented woman is claiming to be Heather, the younger Bethany sister. Not a shred of evidence supports her story, and every lead she reluctantly offers takes the police to another dead end—a dying, incoherent man; a razed house; a missing grave. But there is something she knows about that terrible day . . . and about a family that disintegrated long ago, torn apart by an unthinkable tragedy and the fissures it revealed in a seemingly perfect household.
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| Customer Reviews: Read 108 more reviews...
What Laura Lippman Knows March 16, 2007 102 out of 104 found this review helpful
This is one of the finest suspense novels I've read in years. Lippman is always terrific, whether she is writing her Edgar-winning Tess Monaghan series or stand-alone crime novels, but this book is exceptional, even by her high standards. Inspired by an actual incident, WHAT THE DEAD KNOW is a brilliant examination of old crimes and their present consequences.
In 1975, two teenage sisters disappeared from a Baltimore shopping mall, and their fate was never determined. Now, thirty years later, an emotionally unstable woman claims to be one of the missing sisters. Her story has a lot of holes in it, and the search is on for the truth of what happened on that long-ago day. Lippman brings just the right Gothic/Noir touches to her masterful tale, slowly building the tension until it is almost unbearable. Don't miss this haunting, beautifully written novel. Highly recommended.
A STORY THAT HAUNTS March 20, 2007 64 out of 73 found this review helpful
On Easter weekend in 1975 two sisters disappeared. Eleven year old Heather Bethany and her 15-year-old sister, Sunny, had gone to the mall, Security Mall, and vanished without a trace although there would be rumors, "...sightings of the girls as far away as Georgia, bogus ransom demands, fears of cults and counterculturists. After all, Patty Hearst had been taken just the year before. Kidnapping was big in the seventies."
Time passes, some thirty years, and a woman flees the scene of a traffic accident. Later she's found wandering, apparently deranged, without any money or identification. She's taken to St. Agnes Hospital, checked in as a Jane Doe because if she knows who she is she refuses to say.
Thus begins Edgar Award winning author Laura Lippman's riveting story about a family, once a strong, loving unit or were they?
Detective Kevin Infante is dispatched to the hospital to question the mysterious woman. He doesn't go eagerly as Infante is a tough cop, cynical, a memorable character who views the world and many of its inhabitants with a jaundiced eye. When the woman still refuses to speak his solution is to send her to jail.
Kay Sullivan, the social worker at St. Agnes, is the one person who befriends the woman, and when the woman says, "I'm going to say a name. It's a name you'll know," Kay is convinced Heather Bethany has surfaced after some three decades. But Infante doesn't believe this for a minute.
How to prove whether she is Heather or not? The police decide finding the mother of the Bethany girls is their only hope. But, would a mother recognize her daughter after this length of time?
Lippman who was a news reporter at the Baltimore Sun again sets her story in Baltimore, a city she obviously loves and knows well. Her narrative is meticulously crafted, moving in time from the day the girls disappeared to the present time. As scenes change readers are made aware of what the parents went through following the loss of their daughters, their attempts to cope and the final impact on them.
This author creates some of the most vivid characters to be found on a page, and again presents a story that haunts.
Highly recommended.
- Gail Cooke
irritating: "a police" is used as a noun throughout May 14, 2007 24 out of 35 found this review helpful
I bought this because of a good review in The Onion, which I've always trusted, being as irreverent as they are. On page one of the book, there was something that told me it wouldn't be great, but I read on. Shoulda trusted my gut and stopped when I still could -- I read fast, so I almost never abandon a book. Not only was the writing flat and forced, but the story is full of unlikely coincidences and implausable decisions. Just wait 'til you get to the end! I won't spoil the twist, but there are TWO places near the end where "Heather" does something no normal person would do (in front of the window, and after going to the diner), just to force the plot to turn. And there's this incredibly irritating habit of replacing "police officer" with just "a police" ... as in, "That's why he became a police in the first place." Not once (as a quirk?), and not just one character (to demonstrate dialect?), but everyone from the Long Islander to the Baltimore natives to the trans-continental drifter! Last, I want to weigh in on Laura Lippman's decision to copy so many details from the Lyon sisters' true disappearance: she justifies this by saying that, once she was writing, it simply HAD to be set in 1975. Hogwash. A halfhearted apology for a really unnecessary exploitation. That poor family did not need this insult.
Stunning! April 19, 2007 21 out of 22 found this review helpful
In "What the Dead Know," Laura Lippman displays her literary flair and stylistic genius in a tightly woven, hypnotic, highly intelligent adventure.
In 1975, two sisters vanished without a trace from a Baltimore mall. It was a dead end crime---no reliable witnesses, no clues, no leads, no hope.
Thirty years later a hit and run driver (with no ID) claims to be Heather Bethany (one of the sisters).
She has knowledge that only the sisters would have. As the story shifts between the decades, between fact and fiction, between imposter and the genuine article; detective Kevin Infante (a wonderful character) feels something about "Heather's" story is out of kilter.
The skeptical Infante is unconventional and uses good old-fashioned shoe leather to track down clues, hunches and intuition. His efforts lead him to believe Heather may be one a half dozen identities---or maybe all of them, or none of them.
The three-dimensional characters are caught up in loss, redemption, scrambled identities, in this evocative tale of intrigue.
Filled with pop culture touchstones from the different eras, this powerfully suspenseful crime story, seamlessly spooled out from various points of view will leave you sleep deprived.
Laura Lippman is an uncompromising novelist who is dazzling at hiding clues in plain sight. She creates a morass of deception where the details are as important as the narrative.
"What the Dead Know" is subtle, shrewd and so tightly plotted you cannot afford to skip a page.
Disappointment to the max April 1, 2007 17 out of 34 found this review helpful
After reading several of the other reviews on this book, I felt I could buy it with confidence and settle into a great read. But I am sad to say the writing was a HUGE disappointment. The organization of the story was so poor, I had to keep going back to reread sections just to attempt to make sense of the jumble. And while the story line had possibility, the laboriousness of trying to read the book overall totally detracted from everything else. When I get into a suspense novel, I like being carried away by the experience. The only reason I finished this book is because I spent the money to buy it!
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