Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Blue Ridge valley. Annie Dillard sets out to see what she can see. What she sees are astonishing incidents of "mystery, death, beauty, violence."

chapter five or six. It creeps in, slowly taking over the positive images and feelings, until you finally find that you are reading about children abusing newts in a state park, or caterpillars walking in the same circle around the same vase for seven full days, because their leader was taken away without their knowledge. Death is a reoccurring theme here. A main question in my class was what happened to make her change styles? Was it planned, or was it the effect of some event--the death of a friend or loved one perhaps? Either way, we read on through the spring and summer, and into the fall. She leads us into a flood, where she says, "I like crossing the dam. If I fall, I might not get up again...I face this threat every time I cross the dam, and it is always exhilarating." Her aesthetic sense of word choice described the monarch butterfly, "A monarch at rest looks like a fleck of tiger, stilled and wide-eyed." We notice though that while she uses such

descriptive tone, it is more heavily applied during the via negativa section. The most enjoyable sections for me were her beginning statements, which were filled with stories. Her old tom cat, life's hidden treasures, and even the history of the starlings can be found in the opening paragraphs of each chapter. This catches the attention of the reader, because it is written in an intimate tone, and it prepares them for what lies ahead. Such stories or memories usually reoccur in the end, bringing her point full-circle. Dillard's perspective on religion is questionable. She appears to favor both religion and creationism throughout the book, yet she never sides with one more so than the other. She uses biblical references to Jacob's cattle, a scripture from the Koran, but then also personifies nature, giving it actions of its own free will. She knows stories from the Bible, yet she knows just as much about evolution. A pro-creation/ Christian perhaps? This _was_ written during the 1970's. Perhaps Annie Dillard and Henry David Thoreau do have the same writing-style. Personally I found Thoreau too redundant and long-winded, while Dillard is more natural. One can almost hear her talking; her stories included in the book as reference to a pervious statement are filled with the tone of her voice, although we have never heard her speak. That's a quality she has, making the readers feel as if they have known her for years after reading the book. So why should someone who doesn't take AP English III read Pilgrim at Tinker Creek? Simple. It makes you look at life differently. It gives you a new respect for nature, and a new knowledge of insects and animals. It's good material for anyone doing a report on Eskimos. But overall, it will open your mind to a philosophical side of nature.


Playing Seriously, Living Lightly, Beautifully Writing   September 18, 2001
 44 out of 45 found this review helpful

I read this book every ten years or so. It may well be my favorite; it's right up there, anyway. (At my age, picking a favorite book is dangerous: I've probably forgotten about half the strong candidates.) It is, if you will, a connected series of "nature" essays. Each one is strong, and can stand alone, but all are bound by many threads into a larger whole.

Annie Dillard moved to Tinker Creek, in the Blue Ridge Mountains of Virginia, in her mid-twenties (or, at any rate, this book achieved final published form when she was twenty-nine). Like Thoreau, she came to the woods to "keep a meteorological journal of the mind". Indeed, "Walden" is the model: a person of reflective tendency steps out of the stream of life, as it were, to go to the woods, just to see what he or she can see. It turns out that one's own mind is a large part of the scenery when one gets away from the rough-and-tumble of society. Big mysteries are at stake here; it is somehow appropriate that looking with all attention at minute creatures and giving oneself over momentarily to ephemeral events provide clues. Why is nature cruel? Why is there beauty? Could these be related?

I put it baldly, but these and other questions are more the expression on her writing's face than the subject of it. There are details, and funny descriptions, and a rifling through the wonders of her library of naturalists. But, always, there is a person doing all this: walking, having a sandwich, creeping up on a copperhead for a closer look (after patting her pocket to make sure the snakebite kit is there), or just lying in bed remembering a horrifying or glorious experience of that particular day, in the woods, on the banks of Tinker Creek.

Have I mentioned the quality of the writing? It's glorious. Part of its appeal is her special mix of jokiness and vernacular combined with high-toned thinking and literary reference, her gee-whiz attitude toward outrageous natural facts always butting in. Part of it comes from her sheer likeability. But all that aside, words do her bidding, and always I find myself pausing and smiling at her mastery. She wonders about beauty, and reacts to beauty. She also, here, has created it.

"Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once...No form is too gruesome, no behavior too grotesque. If you're dealing with organic compounds, then let them combine. If it works, if it quickens, then set it clacking in the grass; there's always room for one more; you ain't so handsome yourself. This is a spendthrift economy; though nothing is lost, all is spent." (chapter 4)


An exceptional guide for opening eyes to the strangeness and wonder of nature   November 6, 2007
 25 out of 25 found this review helpful

Watch Video Here: http://www.amazon.com/review/RUJWZWQT3VC40 I've been meaning to try my hand at video reviews ever since they were announced, but this is my first. It was fun to make, and turned out to be a nice way to practice shooting and editing. My hope is that this short video may inspire some to pick up and read this remarkable book.

The footage in the video is obviously not from Tinker Creek, but from my own "backyard" and surrounding areas in Saint Petersburg, Florida. I captured the images using the new Flip Ultra Video Camcorder, and edited them using Apple's iMovie. The music (perhaps a bit cheesy) was composed using samples from Apple's GarageBand software. All quotations are from Dillard's book. Enjoy!


I keep coming back to this book...   July 12, 1999
 21 out of 22 found this review helpful

I first read Pilgrim at Tinker Creek as an undergraduate at Southwest Missouri State University, in an exposition class. I loved it then and I love it now. I am currently taking a graduate seminar on approaches to teaching literature and have been given the opportunity to design my "dream course." Annie Dillard's Pulitzer Prize-winning literary journey is at the top of my list. I am disappointed to read the few comments from readers who didn't enjoy this book--I suspect they have not taken the time to fully explore Dillard's vision. The work is rich with details that are not just there for the sake of description. It is a carefully crafted prose narrative that delves into theology, existentialism, transcendentalism, and natural history, addressing the relationship between man and God. I would recommend reading Linda L. Smith's book, entitled Annie Dillard (one of Twayne's United States Authors series), for an enlightening analysis of Pilgrim at Tinker Creek, and other works by the author. If you are willing to open your eyes and mind wide enough, you will surely discover Pilgrim at Tinker Creek's treasures.