'Tom Strong' is an attempt to render the male super hero in an archetypical form. This book has a strong science and family theme, with the male lead cast in a paternal role: Tom is a husband and a father, and has other family members around him, and he is also the leader of a society called the Strongmen of America, ordinary people who takes Tom's life as an inspiration. This book looks over the 100 years that Tom has lived to date, and throughout it he derives benefits from his family/ies and passes them on to the next generation.

What's good: Tom represents all those things we have enjoyed about many characters in the past. You'll spot echoes of Tarzan, Doc Savage, Superman, Tom Swift and many more as you read. Alan Moore has built an impressive back-story, which reveals itself slowly as the book unfolds, and everything fits together very well. Tom is also a thinker, rather than just a brawler - he overcome problems with his brain more than his fists. Tom's wife, Dhalua, and daughter, Tesla, are also fabulous characters.

What's not so good: I gave it 5 stars, so not much. My main complaint is that that many of the villains are overly stereotypical for me. With a little more effort, they could have been more rounded people. I could also have lived without the comical sidekicks, talking ape King Solomon and robot Pneuman.

Lots of thumbs up, and also check out Alan Moore's female archetype in 'Promethea'.


More than meets the eye   February 15, 2002
 12 out of 12 found this review helpful

Don't let the talking monkey fool you.

Ditto the robot butler.

Tom Strong is a smart book.

Written by hirsute prodigy Alan Moore, this is a book about growing up. More to the point, it's a book about how Western pop culture grew up. Tracking the 20th Century as witnessed by Strong and his family (wife Dhalua, daughter Tesla, robot butler Pneumann and simian aide-de-camp King Solomon), the first collection chronicles their pulp-inspired adventures protecting the world from enemies like the Modular Man and invading forces from the Aztech Empire at the dawn of the 21st.

But don't be fooled. There's a heck of a lot more going on here.
Tom Strong is self-aware right off the bat: The first chapter tells the story of Timmy Turbo, a preteen who buys the first issue of a comic called - you guessed it - Tom Strong. As it turns out, Strong's adventures are chronicled in a series of comic books, which Moore uses as s storytelling device to clue the reader in on the family's adventures earlier in the century.
Many of the stories involve Tom Strong battling some enemy from his past, the introductions of which are chronicled in the "Untold Tales" of Tom Strong - comics-within-a-comic written and drawn in the styles of comics from decades past. The format gives the book a chance to showcase different artists, though all, I think, have well-established resumes; Dave Gibbons, Moore's partner in crime in the well-known Watchmen, makes an appearance.

But, as I said, it's not all about the pulp. There's a more profound message in Tom Strong one about how we imagine our heroes, and how that could have gone wrong, and where it didn't.
Strong is a Western pop hero in the classic sense of the word: tall, rippling biceps, Caucasian, nigh-invulnerable. But other aspects of his story aren't so typical. His wife, Dhalua, is black, and the two have a biracial daughter. His arch-enemy is Ingrid Weiss, a genetically engineered Nazi superwoman, who represents all of the evil things that Strong could have been created to be.

In this way, Strong is almost an antidote to critics who understandably charge that Western popular culture is white-centric and paternalistic. Strong may be the titular superhero as well as husband and father, but he is in no way patriarchal. On at least one occasion, it is Dhalua and Tesla who come to Tom's rescue at the hands of something far more sinister than he ever could have become. Both women are strong characters, operating as part of a family unit, but at the same time fiercely independent.

I can't say much more without giving away the ending. But in the end, all of the Strongs must do battle with the worst that humankind has to offer, and the evil that Tom could have become had he - and the people who canonized him a hero - made a few different choices.


Holy Socks!   August 15, 2000
 8 out of 9 found this review helpful

How can one man have so many ideas? Alan Moore is most famous for his deconstruction of super-hero genre comic books in the 1980s, but now he's reconstructed the idea and showing us what he's learned.

Tom Strong is a "science-hero", born in 1900, raised in the jungle and living in Millennium City. To the more literary-minded, he's a metaphor for the history of the modern comic book- as his adventures are shown to us in flashbacks that use different comic styles and conventions- but even the most superficial elements of Tom Strong are enjoyable. He has neat-o adventures, uses gee-whiz gadgets, and engages in the most dashing of derring-do. He's a good guy, Tom, and you wish you could live in his world.

Alan Moore throws so many ideas at you in the course of the 7 chapters (the first 7 issues of the comic book series) that it's a pity there wasn't more time devoted to each one, but this is Tom Strong, and he doesn't plod through concepts that other comic character would spend pages and pages puzzling out- he's a genius who works out solutions just as fast as the problems arise.

Moore is aided by several artists, including a reunion with Dave Gibbons, his collaborator on the justly acclaimed Watchmen series. But Gibbons is only a guest artist, drawing a mere 8 pages. The bulk of the art is drawn by Chris Sprouse, whose style is clean and captures the essence of Tom's character.

In the year 2000 Tom Strong is 100 years old and as fit as ever. Can the same be said of American comics? With Alan Moore to create them it can.


Attenuated Moore   November 27, 2000
 8 out of 20 found this review helpful

I'm a huge fan of Moore's earlier works; anyone would be. But, due to the expectations formed by this work, I was enormously disappointed by the latest. I should have been warned by the reviews here -- many of them point out that it isn't his best work. I didn't realize, however, that it was FAR from his better pieces.

Essentially, the stories are brief, and have little texture. One example of this problem is that our man of science never engages in any scientific activity -- so far as I can tell, his right hook is the only tool he uses to dispatch enemies. The plots, moreover, are dismal, and only serve to highlight the gulf between this work and previous graphic novels by Moore.

And leave off with the pedantry! We already know, for example, that nazis are bad (boo, hiss). So are evil scientists with no other motivation than destruction (yes, the villians are this thin). And oh yes, cooperation is good -- this was learned in the "evil aztec who sacrifice nice people" chapter.

Sigh. I'll look elsewhere. Hopefully, Moore will return in a better, purer, form in future offerings.


He's Mocking You...   October 24, 2005
 8 out of 54 found this review helpful

Hasn't it occured to anyone that Alan Moore is sitting in his dungeon overseas laughing his a@@ off at American comic book readers?

His comic line, "America's Best Comics" is headlined by a character named "Tom Strong" that hangs out with an ape and fights Nazis? He was raised by a robot? This is more or less a test by Alan Moore just to see what he can sell to American audiences.

Look at the work Moore was doing before--"From Hell", "LXG", "Watchmen" "V for Vendetta". I'm not a fan of them, but at least the guy was taking his subject matter seriously.

You've gotta' remember---we're the most hated country in the world. Our government is depicted poorly in comics as much, if not more, than North Korea and France.

Is it possible that he wrote a few good stories early on...and now he's the Stephen King of comics? Just pumping out crap and laughing all the way to the bank while "idiot Americans" gush over Tom Strong and his ape pal?

The ONLY thing more insulting would be "Apple-Pie Man and his sidekick Coke-Cola"---written by a British satanist.