Perhaps the title of the book provides some clues to the over-arching themes of these stories. However, there is more at hand than the conflict between reality and fantasy that is to be expected in anything whose main character is the bringer of dreams. In 'Fear of Falling,' a young actor finds his courage in a frightening dream. And in 'Three Septembers and a January,' we are given the tale of Joshua Norton, the Emperor of the United States, who found happiness in the give of insanity. Then it suddenly is July in revolutionary Paris. Thermidor tells the story of a woman bearing the head of Orpheus, due to sing the song that will end one dream and begin another.

Next, a book shows a werewolf lost in a dream of love the path to its reality love. In 'August,' a Roman emperor gains the secret of how to hide from his fears. 'Soft Places' finds Marco Polo wandering the desert separated from his caravan. Or perhaps, he is only wandering in his mind. The grand piece of the book is a lengthy retelling of the legend of Orpheus, which provides some explanation for the future wanderings of his disembodied head. In 'Parliament of Rooks,' the arguments of Cain and Abel invade the sleep of a young child. In the final story Haroun al Raschid, the ruler of Baghdad, bargains with the Lord of Dreams for a special kind of eternity.

All the stories are linked by theme and variation, as well as the presence of the Sandman. Perhaps, intentionally, the relationships are vague and hard to pin down, using the touch of chaos to enhance the dreamlike quality. Of course, the advantage is to the author, who needs to tell only enough to keep the reader interested. In addition to the drawn illustrations, the book makes excellent use of digital and photographic work to enhance the effect of the stories themselves. The overall design, the product of Dave McKean, is remarkable, enhancing instead of competing with the stories themselves.


We just keep on dreaming....   August 13, 1999
 23 out of 25 found this review helpful

In my mind, "The Sandman" is the greatest comic book to come along in the past 15 years or so. Neil Gaiman is such a great writer and brings so much into the mix that is Sandman. Of course, it's easy to do this when Sandman is the King Of Dreams, but the way Neil did it was truly magical. "Fables and Reflections" is perhaps my favorite of the Sandman collections because they are all self-contained stories that are all interesing in their own right. All the Sandman issues are great, but you cannot read only one chapter of "Brief Lives" or "Doll's House" to get the whole meaning. Because this collection is so varied, it would be a good place for new readers tom start. The Sandman storylines often jump around in time anyway, after all Dream has been around since the beginning of time and that is a lot of ground to cover! I should start off perhaps by explaining who the Sandman is. The Sandman goes by many names, but his given name is Dream and he is the king of dreams. He is one of the Endless, who are all older than Gods. The rest of the Endless are Destiny, Death, Desire, Despair, Destruction, and Delirium. Each of their names gives you a glimpse of what they are and what they do. Death, Delirium, Despair, and Desire pop up in this volume, as do other familiar charactewrs like Matthew the Raven. What distinguishes "Fables & Reflections" from other Sandman collections is that not only does it not follow a choesive story, but Dream is not directly involved in all the tales told here. Some of the tales are stories being told that involve the Dream King. Some are pieces of long past history involving the Sandman (such as encounters with Mark Twain and Caeser Augustus) and some are even retellings of old myths like Orpheus' Song. All of these stories are bound together by soemthing that every person does: dream. Gaiman tries to make sense of dreams and of Dream. Although Dream is as old as the hills, he can be quite human at times. Neil Gaiman's writing is just phenomonal. Who else would think to reference Joshua Norton, emperor of the United States? He also has great one-liners that often are given by Delirium and Matthew the Raven. If you like to read, I suggest reading Sandman. This is best comic book out there. Nothing is like it. It's an experience unto itself.


Wow.   January 15, 2000
 13 out of 15 found this review helpful

I've read 6 Sandman books now, in order, Fables and Reflections being the most recent. It could be my favorite, but they're all so perfect in different ways. I made my mom read "Ramadan", and now she's hooked. I just love that story. I can't stop thinking about it...it's just incredible. Gorgeous.

My suggestion: If you're new to Sandman, and aren't exactly sure whether you'll like it, read Fables and Reflections. (Only skip "Song of Orpheus" and "A Parliament of Rooks", which would be a bit confusing without the other issues.) However, if you're new to Sandman and trust Neil Gaiman with all your heart, start with Preludes and Nocturnes and know that it gets better. I really think they're best read in order.

"Ramadan" is just pure genius. The collection would be worth its price if only that one story were in it. "Fear of Falling" is another highlight, although no one ever mentions it. Very simple and short, but great. "The Hunt" is cool...well, all of them are! If you already know Sandman, obviously you'll want to buy this volume. If you're new, then don't hesitate.


ACCOUNTS AND REFLECTIONS touching the Prince of Stories   November 10, 2004
 9 out of 9 found this review helpful

HB: "How did you come to name this collection FABLES AND REFLECTIONS?"
NG: "Actually, I didn't. What I wanted to call it is ACCOUNTS AND REFLECTIONS, but nobody at DC would let me. My thinking was that the book contained a set of stories about different elements intersecting titled CONVERGENCE, and a set of historical tales titled DISTANT MIRRORS, and 'accounts' would represent both things being totalled up, or coming together; and ancient tales being recounted. But DC felt all that title would do is make readers think of chartered accountancy."
- interview with Neil Gaiman in THE SANDMAN COMPANION, by Hy Bender

All stories herein were written by Neil Gaiman (Wolfe only wrote the introduction which was added for their publication in book form). Each involves characters telling stories, from a phobic modern playwright to Orpheus himself. Often the entire story is part of a character's reminiscences, such as Lady Joanna's journals. Each (apart from possibly "Fear of Falling") also involves the spirit of a very distinct *place* (Fiddler's Green even makes an appearance).

As for the artists - SANDMAN's typical practice was to team up artists with Gaiman for short storylines like these to get used to working together before tackling major story arcs. McManus worked on most issues of A GAME OF YOU (which was published between the CONVERGENCE and DISTANT MIRRORS storylines). Later, Thompson and Locke drew BRIEF LIVES, while Talbot and Buckingham worked on WORLDS' END.

"Fear of Falling" (illustrator: Kent Williams) Rather than appearing in SANDMAN proper, this story appeared in VERTIGO PREVIEW #1, which launched DC's VERTIGO imprint in 1993. The narrator's phobia has mushroomed into a more general fear of success, which is driving him to the verge of pulling out of the off-Broadway production of his own play. But in his dreams, he finds himself climbing to meet Morpheus, and telling him the story of how his terrors stem from a childhood nightmare. And as in DREAM COUNTRY, the Prince of Stories can provide revelation, if not always justice or wisdom. For there is a third alternative to awakening from or dying in a falling dream...

"Orpheus" (illustrators: Bryan Talbot, Mark Buckingham) Gaiman's plans for SANDMAN SPECIAL #1 were scrapped in favour of providing the background of the Orpheus and Eurydice legend, after learning from bitter experience that many of his readers didn't know who Orpheus (Dream's son) was.

The remaining 7 stories (which appeared in SANDMAN proper) aren't grouped by publication order and story arc within the book, but I have taken the liberty of doing so here.

The four stories of DISTANT MIRRORS:

"Thermidor" (illustrators: Stan Woch, Dick Geordano) replaced the month of July in the calendar of revolutionary France, where Lady Joanna Constantine has accepted a commission to rescue Morpheus' son from Robespierre's tireless attempts to destroy *all* old stories and superstitions.

"August" (illustrators: Bryan Talbot, Stan Woch) is a day in the life of the emperor for whom that month is named, who because of a dream spends one day a year in the marketplace of Rome, disguised as a beggar, as taught by the young actor accompanying him.

"Three Septembers and a January" (illustrator: Shawn McManus) Septembers 1859, 1864, 1875, and January 8, 1880 in the life of Norton I, who declares himself first and only Emperor of the United States as a consequence of a challenge issued to Dream by his younger siblings that he couldn't keep Norton out of *all* their realms - Despair, Desire, and Delirium - before their eldest sister came for him. (The young newspaperman whom Norton helps with his first story is writing "The Celebrated Jumping Frog of Calaveras County.")

During "Ramadan" (illustrator: P.Craig Russell), Haroun al-Raschid - troubled in his soul, despite his lordship of the greatest of the world's cities - summons the Dream-Lord to offer a bargain. (The story of one of Dream's treasures, last seen in his castle in SEASON OF MISTS.)

The three stories of CONVERGENCE:

"The Hunt" (illustrators: Duncan Eagleson, Vince Locke) A present-day grandfather tells his granddaughter this tale of a young man of "the People" who falls in love with a woman in a miniature carried by a wandering tinker. But among the tinker's stock is also a book, stolen from a librarian who is *most* anxious that Lord Morpheus not come to hear of the incident...

"Soft Places" (illustrator: John Watkiss) are those unexplored realms where boundaries are crossed and time becomes fluid, like the Desert of Lop in which a young Marco Polo has become separated from his father's caravan. Or is it his dream as an old man in prison, when he meets the Dream-King, just escaped from his own imprisonment?

In "The Parliament of Rooks" (illustrators: Jill Thompson, Vince Locke), Lyta Hall's son Daniel (whom she was last seen carrying back in THE DOLL'S HOUSE) is now a toddler who gets into *everything* - even Cain and Abel's little corner of the Dreaming, where three ancient storytellers find him a receptive audience. Thompson's "Li'l Endless" Hello-Kitty take on the Endless, accompanying Abel's simplified version of his own story, became a big hit. Eve's version of *her* own story is the theologian's version, which may be unfamiliar to readers apart from the simplified version told by CS Lewis as part of the backstory of the Witch. As for Cain, he begins with the title story (which is completed by his brother later).

The book concludes with "Biographies" - a warped little picture of each of the literary/artistic contributors, and some equally warped text accompanying each picture. :)


More Essential Sandman   April 1, 2003
 6 out of 6 found this review helpful

I've been reading the Sandman series in order, and have been enjoying each volume. It's hard not to rank them, but this collection of short stories probably ranks near the middle (vol. 1, 4, & 5 are my favorites, but essentially they're all worth your time and money). The stories vary in look and feel somewhat, but are all linked together by regular appearances from Dream, and cameos from his always intriguing family. The over all scope of these stories is great, covering vast areas of time and distance. While a few of the stories suffer somewhat from the regular use of a "telling" rather than "showing" style, there aren't any duds here. Two in particular, "Song of Orpheus", and "Parliament of Rooks" are a pure joy to read throughout, and worth the price of admission on their own.

Even though Gaiman works with quite a few artists here (different artist/artists for each tale), the quality is consistent, always moving the story along successfully. The efforts of P. Craig Russell, Bryan Talbot, and Shawn MacManus are especially worth mentioning.

Gaiman's Sandman series is easily one of the most consistently exceptional of all time, and volume 6, Fables and Reflections, follows right along with that high level of quality. While I'd recommend starting with volume 1 and making your way through to the end, due to the timeless quality of the stories, any one of the volumes that I've read so far (the first 6) could also be read on it's own, primarily due to the skill and power of Gaiman's writing, and his lack of dependence on continuity. If you're new to Sandman, this is not your typical comic book. This is great fiction, period. If you're dismissive of comics as juvenile or inferior, toss aside any preconceptions and invest in a volume of Sandman. You won't regret it, or forget it.