There is something grandiose about this story, in which each chapter ends with such suspense and drive to read the next. This book is best summed up by a toast taken from the second chapter: "To absent friends, lost loves, old gods, and the season of mists; and may each and every one of us always give the devil his due." --Jim Pascoe

Product Description
In many ways, Season of Mists is the pinnacle of the Sandmanexperience. After a brief intermission of four short stories (collected as Dream Country) Gaiman continued the story of the Dream King that he began in the first two volumes. Here in volume 4, we find out about the rest of Dream's Endless family (Desire, Despair, Destiny, Delirium, Death, and a seventh missing sibling). We find out the story behind Nada, Dream's first love, whom we met only in passing during Dream's visit to hell in the first book. When Dream goes back to hell to resolve unfinished business with Nada, he finds her missing along with all of the other dead souls. The answer to this mystery lies in Lucifer's most uncharacteristic decision--a delicious surprise.There is something grandiose about this story, in which each chapter ends withsuch suspense and drive to read the next. This book is best summed up by a toasttaken from the second chapter: "To absent friends, lost loves, old gods, and theseason of mists; and may each and every one of us always give the devil hisdue." --Jim Pascoe

Simplified, the plot has Lord Morphus acquiring the key to Hell from the fallend angel, who has desided to quit his position. A parade of Gods, Deities and other mythological types visit to plead their case for acquiring this key piece of psychic real estate.

This is the most consistent (and arguably the best) volume in the series. It will have you scampering for the rest of the books as Gaimen crams so much backstory that one cannot fully appreciate what is happening without referring back to what has happened before. I recommend starting with volume 1 "Preludes and Nocturnes" before jumping ahead to this one and also having a good mythology book (I recommend the Dictionary of Ancient Dieties) at your side. There is alot of depth and fun in this one.
Highly recommended!


Sandman : Season of Mists   November 29, 1999
 16 out of 16 found this review helpful

This story is one of the most compelling and engaging stories to find a new population of readers in quite awhile. Simply put, the story reminds us that no one sends you to Hell, that all Hells are self imposed and that the key to freedom lies within the mind of those trapped there. No one else can forgive you till you forgive yourself. Mixed with mythology and ideas fom many cultures, this book creates a blending of ideas that shows how similar we all are rather than how different. Most people will find the story entertaining and thought provoking on many levels. The entire series of Sandman Books is one big story that simply says, "We are, what we dream we are."


Literary Storytelling at its best   May 2, 2001
 13 out of 13 found this review helpful

Neil Gaiman's artistic exploration of sin and redemption in Sandman: Season of Mists is a wonderful example of the literary excellence that can be achieved with a graphic novel format. Gaiman blends traditional literary techniques, surreal art, and evocative storytelling in order to create a unique work of literature.

Sandman is a seventy-five issue comic book series which follows Morpheus, a divine being known also as Sandman, as he explores the dreams of humanity and deals with other divine creatures in order to better understand mankind. Season of Mists, the third story arc in the series, begins with the Sandman, Lord of Dreams, journeying into Hell in order to forgive a woman he condemned nearly ten thousand years ago. Things quickly become complicated, however, when Lucifer decides to resign as king of Hell, and leaves the Sandman with the key to his kingdom. As the story progresses, the Sandman finds himself debating what to do with an empty Hell, as well as contemplating what it would mean to forgive the woman he condemned.

Gaiman writes the above story in a poetic narrative that incorporates a variety of literary techniques. The divine beings the Sandman encounters speak in an almost musical pattern that uses a lot of alliteration, and one scene, in which the Sandman speaks to a group of historical writers, is even written completely in iambic pentameter. The style works extremely well, since it also serves as an allusion to the poetic works of Shakespeare (who even makes a brief appearance in the tale), Dante's Divine Comedy, and John Milton's poem Paradise Lost, all of which are classic literary works that explore similar themes of sin and redemption.

The majority of Gaiman's literary techniques, however, are incorporated into the story through the art. Most of the figurative language, such as metaphors, allusions, and imagery are made literal by the visible depictions of characters and locations. In one scene, all the divine beings the Sandman encounters are each drawn according to the art styles of the cultures from which they originate. In another scene, we see the horrors occurring at a boarding school for troubled boys. Flip back a few pages to the depiction of Hell, and the similarities between the two locations become clear. Most effective, however, is the scene in which Lucifer congratulates God on the beauty of a sunset. The painting which accompanies the statement conveys that beauty far more effectively than words ever could.

Neil Gaiman's Sandman: Season of Mists is a fantastical and intelligent tale that belongs in any literary collection.


Amazing Modern Mythology   January 8, 2000
 8 out of 8 found this review helpful

Upon my first reading of this story of The Sandman series, i was struck by how simply and profoundly Gaiman interwove so many mythologies, all the while writing the most original modern myth of our time -- dare i say _all_ time -- something that a dust cover blurb would say "if William Blake and Mark Twain colaborated on the story of what Lucifer is doing these days..." Everything from the Angels, Duma and Remiel (quite wonderful choices -- check out G. Davidson's "Dictionary of Angels" for how accurate!), to the enraged expelled demons, Azazel and company, and the self-admitted profound absence of the Greek dieties. With each successive reading, i found these threads are strung together into an amazing story of what might happen should the Ruler of Hell abdicate. Told through the perspective (and responsibility) of the Prince of Stories, the Lord Shaper Morpheus himself. i found this to be a as great a starting point as any for the series, if for no other reason, because of the wondrous introduction of Dream and his family, The Endless. The resolution of plot and every subplot, is quite tasty, and having Lucifer acknowledge the beauty of sunsets that The Creator (and his nemesis) provides daily, gives me chills just to think of it. And the bookended cliche phrases of "Once Upon A Time" and "Happily Ever After. In Hell." Give this esoteric mythos tale the finishing air of mundanity (?) that place it within the realm of each and every one of us. Aside from being my own personal favorite longer story within the series, it is in my opinion, the best. ["The Kindly Ones" would be a close second.]


Where Dream Meets Myth   October 19, 2003
 7 out of 8 found this review helpful

With this fourth instalment to the Sandman series, Gaiman finally takes the time to introduce us to Dream's elusive siblings, the Endless. Although we briefly encountered several of them in The Doll's House, Gaiman allows us to spy in on the family dynamics as all six (or is it seven; note the one empty chair) sit around the table together and bicker and argue as most families are wont to do. The brief little write up for Desire, Despair, Destiny, Delirium, and Dream in the introductory chapter is most welcome, but why not one for Death?

Although the art was generally good, I found it a little off, at times. In particular, I didn't like the depiction of Dream or Death. I much better preferred how they appeared in Preludes and Nocturnes. To compound this problem, the text oftentimes had inconsistent images of both Dream and Death. I'm not sure why Dream sometimes appeared strikingly different in different cells on the same page, and I must say I found such occurrences distracting.

I have no complaints on the story, however. Gaiman raises the bar here, and deeply immerses the text with the various myths held by civilizations past and present. Gaiman is obviously very familiar with these themes; his firm control of the narrative and adept insertion of these various complicated mythologies provides the reader access to people and places no other graphic novel does. Further, only someone with as puckish a sense of humour as Gaiman could contrive a situation where the Norse God Thor would put the moves on the Egyptian cat Goddess, Bast. Thor appears to be quite the party animal, too: drinker, swearer and maker of rowdy jokes.

Like the other texts in the Sandman canon, I highly recommend Season of Mists. It is with this tome that Gaiman flaunts his `literariness' and proves that comics are capable of high art, too.