Dubliners - James Joyce's stories of his native homeland - performed by a cast of 15 different actors originating from Ireland. Unabridged.

The fifteen stories that make up this brilliant audio roam over a human landscape that stretches from the bleakest of despair to the most blinding of epiphanies. First published in 1914, the stories are as lucid and accessible as they are memorable poignant.

As you listen to the cast of internationally famous stage and screen actors perform Dubliners, both the spiritually deadening atmosphere that drove Joyce from his homeland and the irresistible emotional pull it always kept on him to the end of his days become heartbreakingly beautiful.

Dubliners is an audio experience that will only grow in richness with each time you listen.

The stories and performers are:

Sisters - Frank McCourt

An Encounter - Patrick McCabe

Araby - Colm Meaney

Eveline - Dearbhla Molloy

After the Race - Dan O'Herlihy

Two Gallants - Malachy McCourt

The Boarding House - Donal Donnelly

A Little Cloud - Brendan Coyle

Counterparts - Jim Norton

Clay - Sorcha Cusack

A Painful Case - Ciaran Hinds

Ivy Day in the Committee Room - T.P. McKenna

A Mother - Fionnula Flanagan

Grace - Charles Keating

The Dead - Stephen Rea

Go ahead. Do yourself a favor. You won't regret it.


Perfection!   October 11, 1999
 23 out of 27 found this review helpful

My first encounter with Joyce was an English Lit. course in college, some twenty years ago now. We were assigned to read an anthologized version of "The Dead", and I initially approached it as one does all such reading requirements at that foolish age; however, this particular story ending up affecting me quite unlike anything I had ever read before. Dubliners is a beautifully written collection of thematically inter-related stories involving day to day life in early 20th century Dublin - stories that masterfully evoke what Faulkner described in his Nobel address as being the essential nature of true art: A portrayal of the human heart in conflict with itself. "The Dead" is the final story in the collection, and my favorite. I have re-read it numerous times and am so consumed by it that I'm not even able to provide an objective review. The final pages, from the point where Gabriel and Greta leave the party, to the end of the story, are absolutly stunning; the poetry of the words, the profound humanity represented - defies description. As in the final line of Rilke's "Archaic Torso of Apollo" - You must change your life.


A most excellent turn of the century review of Joyce's home.   November 7, 1999
 17 out of 20 found this review helpful

Dubliners is a collection of short stories ranging through chidhood, adolescence and adulthood ending with three public life stories and the grand finale "The Dead" Critics have associated many of the stories to Joyce's personal life as he to became dissillusioned with his home city of Dublin. In each story we find a struggle for escapement from each character with the ever burdening features of alcohol and religion amongst other things trapping the protaganists from breaking out of the Dublin mould. Hopes are often dashed such as those of Eveline and Duffy. Joyce intelligently creates an interplay of senses towards the end of each story which creates an epiphany and a defining moment in the life of each character. Throughout the book the characthers start in the middle of nowhere and end up in the middle of nowhere. The text starts with the phrase: "There was no hope for him this time", which symbolises the book perfectly with paralysis being a continuing theme throughout the text ending in the final component: "The Dead". Overall this is a fascinating insite into how Joyce viewed his birth place. Joyce himself can be viewed in many of the characters including Duffy who found love with Sinico in: "A Painful Case" and felt awkward at her death as he had let her go. A thoroughly enjoyable book where nothing actually happens!


dear dirty Dublin   October 30, 2003
 12 out of 12 found this review helpful

As a young man, James Joyce abandoned his hometown of Dublin, and yet, he never wrote about any other place. He had also rejected Catholicism, and yet all his characters are dominated by it. DUBLINERS, Joyce's collection of short stories which set the standard for the genre, is filled with characters who come to terrible revelations (which he called "epiphanies") about how their lives had been scarred by the provincialism of Dublin, the divisiveness of its politics, and the oppression of religion. By extension, this is how Joyce percieved humanity at the dawn of modernism.

The stories range from the psychologially simple ("Counterparts" and "A Little Cloud") to the extraordinarily complex ("A Painful Case" and "The Dead"). But what is common throughout is the feel for Dublin just after the turn of the last century. The readers see the cobblestones, the chimneys, the trams and carts, the churches, and the street lamps. More importantly, the readers feel the tensions underlying the public smiles and infrequent bursts of confidence that the characters exhibit.

The pinnacle of this collection is "The Dead". A novella, actually, "The Dead" encompasses everything: politics, religion, art, journalism, history, love, and the inevitability of death rendering all worldly things meaningless. This doesn't mean the story is a downer: this death is necessary to making a fresh start. The ending of "The Dead" has been interpreted in hundreds of ways. However, there is no denying that as Joyce "pulls back the camera" from the Conroy's hotel room to the universe above, the writing swells to its most beautiful. To me, this is a movement toward the future, toward change, leaving the living dead behind to a more spiritual life on Earth.

Rocco Dormarunno, author of The Five Points.