the sad refusal to give in to
rain, to the hours wasted waiting,
to the knowledge that somewhere ahead
a man is waiting who will say, "No,
we're not hiring today," for any
reason he wants.

What work is, Levine tells us, is the accretion of a lifetime of experiences, compromises, and disappointments. It is drinking gin for the first time at 14, a premature leap into manhood; it is that first job with its double-edged promise of a "new life of working and earning," and later the unrealized dreams of escaping that life. Levine's poems move back and forth in time, touch on issues of race, religion, education--even gardening--and leave the reader with a moving portrait of working-class life from the 1940s to the present day. --Alix Wilber

Product Description
A collection of poems culled from the poet's twelve earlier books includes such pieces as ""Fear and Fame,"" ""Coming Close,"" ""Every Blessed Day,"" and the title poem. Reprint.

This is a short collection, consisting of four untitled sections. Section III consists of a single extended poem, "Burning" which is broadly autobiographical in character. The remaining three sections consist of a number of short poems with essentially two themes: the lives of the working poor prior to WWII and Levine's experiences as a boy growing up in Detroit. The poems with these themes overlap and are interspersed throughout the book with the earlier sections emphasizing vignettes of individuals doing the ordinary, desultory jobs that are the lot of most of us (such as "Coming Close", "Fire", "Every Blessed Day" and "What Work Is") while the latter section emphasizes Levine's Detroit experiences, the toughness of being a kid, his relationship with his brother, his love of boxing, and his exposure to Anti-Semitism. ("Coming of Age in Michigan", "The Right Cross", "The Sweetness of Bobby Hefka" "On the River".)

The poems are lucidly written with understatement and a lack of sentimentality which underscores the emotions and the passions they contain. It might be useful to compare these poems to the work of three other writers.

First, the poems reminded me of Walt Whitman, in their compassion for an attempt to understand the American worker. They lack Whitman's bravura and optimism, however, and content themselves with painting harshness and with emphasizing the tenacity people need to get by.

A writer with somewhat similar themes to Levine is the under-appreciated Victorian novelist, George Gissing in his books of lower class life in Victorian London such as The Nether World. Levine has a similar sort of attraction to the life of the poor, the unsuccessful and the down and out. He has at once a sympathy for his characters and a distance from them that Gissing seems to lack, for all his portrayals and descriptions.

A third writer is the late poet-nnovelist Charles Bukowski, a favorite of "underground" readers. Bukowski writes of ne'r do wells, prostitutes, and drunkards, -- as well as doing a lot of writing about himself. Levine has some of the same attraction to the scorned of society, but his people are the working poor, and their stories are told with restraint and dignity, unlike those of Bukowski, and also unlike the work of Bukowski, with literary skill and grace.

This is a book of poetry that has both the sadness and the grittiness of life and the toughness to understand and surmount it.


Levine's life work at last just is   October 1, 1997
 10 out of 10 found this review helpful

A devotion of Levine's life's work, the world of work, at last becomes one of his book's true focus and shows Levine, one of our greatest living poets, at his best. The controlled lyricism of his narratives hone in with precision, as when he pulls in on a woman's forearm at work, a minute detail in a vast world of labor to show us the universality of a struggle Levine himself has endured. While not every poem lives in the factories and workplaces, the fundamental aspect of work in our lives manifests itself in each piece. The short lines and continual enjambment gives his stanzas both the feel and appearence of quality reportage and yet are infused with an empathy and passion for his subjects that both moves and educates. This is the democratization of poetry that Wordsworth aspired to and Whitman acheived. Levine carries on in that tradtion and concretizes, with this book, his place among those American poets to be read in the next century.


Powerful reflections on the most defining experiences of our lives   October 4, 2008
Philip Levine's "What Work Is" represents one of the most powerful reflections on labor in modern American history, comparable to some of the great Walt Whitman's own compositions on the lives of those defined by the sweat of their brow and the strain in their backs.

Levine's words are at once intensely emotional while also tightly crafted with the elegant precision of a jeweler. Each piece dignifies its subject with a timeless quality that manages to avoid the sentimentality of similar attempts to ennoble the working poor.

One of the greatest accomplishment of the book is Levine's ability to structure complex meditations with a language that suits his subjects; each piece challenges its reader to dig into the text with the same shoulder-to-the-wheel dedication of those described in each poem.

"What Works Is" is a book best suited to those who desire a permanent addition to their library worthy of reconsidering every few years, for it is a piece that rewards those who accept its challenge to pore over each poem with the tenacity of a farmer in a field or a lumberjack in the forest. The deepest beauty of Levine's poetry is revealed in the third and fourth reading, after the reader himself has unwrapped the words in the joyful labor of discovering what work is.