More: Utopia: Latin Text and English Translation

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Product Description
Thomas More's Utopia is one of the supreme achievements of Renaissance humanism. This is the first edition since 1965 to combine More's Latin text with an English translation, and the first to provide an accurate Latin text. Spelling and punctuation have been regularized, and the translation is a revised version of the acclaimed Adams translation, also published in Cambridge Texts in the History of Political Thought. The edition includes an introduction, textual apparatus, a full commentary and a guide to the critical literature on Utopia.

Book Description
A new edition of More's Utopia, one of the classics of Renaissance humanism. It is the first to provide an accurate Latin text and facing-page English translation, and includes an introduction, textual apparatus, full commentary and guide to the critical literature.

Customer Reviews:

5 out of 5 stars

A More perfect plan... January 11, 2006
3 out of 3 found this review helpful

Thomas More, executed by Henry VIII (one of his best friends) for treason, led an illustrious career of politics and letters. Under his friend the King, he served in many capacities - Speaker of the House of Commons, Master of Requests, Privy Councillor, etc. - culminating with the trust of the position of Lord Chancellor, a position in those days matching the prominence (if not the definition) of Prime Minister in these days. More's strong integrity and resolute mind caught the attention of scholars, political and church leaders internationally; it was this same integrity that most likely was his undoing, refusing to assent to the King's divorce and severance of ties binding the English Church with the Roman overlordship of the Pope. Indeed, More was, if not the actual ghostwriter, then certainly an inspiration and editorial aide to the document produced by King Henry VIII against the continental protestants, earning for Henry (and his heirs ever after) the title of Defender of the Faith (historical irony is that this title, most likely not intended to be hereditary, now declares the defense of a faith separated from the one for which the title was bestowed).

While an Ambassador to Flanders, More spent spare time writing this book, 'Utopia'. The very title is a still a by-word in the English language (as well as others) of a state of bliss and peace; it is often used with the context of being unrealistic. 'Utopia' is More's response to and development from Plato's 'Republic', in that it is a framework for a perfect society, or at least perfect according to More's ideas of the time. Penned originally in Latin, 'Utopia' has been translated widely; one of the better translations is by H.V.S. Ogden, in 1949, still reprinted in various editions to this day. Originally published in Latin in 1516, the first English version appeared in 1551, some 16 years after More's death.

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Utopia
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Thomas More writes this as if he were traveling, and meets his friend Peter Giles, who introduces him to Raphael Hythloday, a scholar/traveler with tales to tell.

Hythloday made friends with a prince who outfitted him for a journey. He traveled through deserts and fertile lands. He proceeds to give an account to Giles and More. In an ironic twist, given More's own attachment to Henry VIII, Hythloday states that he doesn't give his information in advice of kings or princes, for to be beholden to them is not a wise thing. He quotes Plato, in saying that unless kings were themselves philosophers, they should never appreciate philosophers.

More argues for public service, which Hythloday rejects as something that other place-seekers will use to bolster their own positions. Then Hythloday makes the startling pronouncement with regard to how a society should be constituted: 'As long as there is property, and while money is the standard of all things, I cannot think that a nation can be governed either justly or happily; not justly, because the best things will fall to the share of the worst men; nor happily, because all things will be divided among a few (and even these are not in all respects happy), the rest being left to the absolutely miserable.'

Hythloday proceeds to give an account of the life of Utopia, where, he says, there are so few laws and so much liberty and equality that virtue is always rewarded, and each person has what he or she needs. He talks about this under the following headings:

Of Their Towns, Particularly of Amaurot
Of Their Magistrates
Of Their Trades, and Manner of Life
Of Their Traffic
Of the Travelling of the Utopians
Of Their Slaves, and of Their Marriages
Of Their Military Discipline
Of the Religions of the Utopians

'Utopia' is a radical document. It anticipates the modern idea of communism, with private property at a minimum; it is generations ahead in the idea of equality of the sexes and freedom of religion. This may seem a remarkable statement from someone who will go to his death supporting the Roman hierarchy, but in historical irony, had religious freedom been respected in England at the time, More would have had nothing to fear.

'Utopia' was a place of education and free inquiry. Again, More's own life models this - travelers from as far away as Constantinople and Venice, visiting More's home in Chelsea, remarked on the incredible sense of knowledge and respect for reason and learning, not just for the men, but also for the women of the household (More's own daughter once impressed Henry VIII with her Latin training so much he was at pains to find something at which he excelled that he could best her at).

At different points throughout the text, More (speaking through Hythloday) jabs in witty and insightful manner the habits of the day - that kings are often more concerned to fill their own coffers than increasing the general wealth of the nation; that courts are designed to be self-serving and self-perpetuating; that liberties are curtailed not for just and reasonable causes, but often for petty personal reasons.

Some of the ideas, however, are not as modern or enlightened as they might seem at first glance. Utopians' freedom of religion exists only in very narrow bounds of reason - they are all monotheists, and while they might identify this deity with the sun or moon or a good person who died long ago, they are not permitted to speak or attempt to convert others to this idea, without risking bondage or death. Not too Utopian after all...

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More was beatified by Leo XIII in 1886 and canonised by Pius XI in 1935 (it is significant to note that Anglican-Roman relations were at a strained point during these times, and the raising of an English saint who rejected the Anglican construct served at least minor political points, something More would have been able to appreciate, if not approve). The official feast day is July 9.

5 out of 5 stars

Literary Garden of Eden December 16, 2006
2 out of 4 found this review helpful

This was required reading for a graduate course in the Humanities. A great story and important historical work in literature. History of Utopia begins with Thomas Moore's book in 1516 he coins the phrase Utopia. Ideal societies have been around before like Garden of Eden, city on a hill. For Moore the idea of utopia was intended to be an ironic one. One of the problems you are faced with when reading his utopia is that you cannot really tell when he is serious and when he is being satirical. He writes on the border of the lyrical and satirical, you cannot really tell when he is trying to be funny or serious. The other problem is the Thomas Moore who speaks to us in the story is not the Thomas Moore who actually lived. He wrote himself into a character. He is intending it to be ironic. Utopia is Greek for "Good Place, and "no place." He is punning an ironic two-sided term he clearly intended irony when he wrote this text, which provided the foundation for a new genre for social representation. Now, according to Lewis Mumford, who wrote the book "The Story of Utopia" 1922, one of the first comprehensive studies of Utopian representation in Western Civilization, the word Utopia signifies human folly or human hope, the vain hope of perfection. The vain hope of remaking our own imperfect natures, so that we can establish the blissful harmonious communal life. On one hand, he is entirely playful and paradoxical. Thomas Moore could be bigoted (against Protestants), small minded, not a saint as portrayed. Among all the things, he was a great wit, great sense of humor. On the other hand, it seems that Utopia could be a reflection of his devout Catholicism. He has been represented as a Roman Catholic martyr. In which case you want to take him seriously, altering the model of menses a set of new aims for moral and social objectives. Of course, Moore's death is important to consider in this life he is glorified in the film, "A Man for All Seasons." He was a Renaissance man, he was a lawyer, statesman, Christian humanist a classical scholar an advocate for women's rights he was also Henry 8's Lord Chancellor.

In 1514, he was sent to Flanders to negotiate a wool treaty and while there, he meets and befriends Peter Giles who is the town clerk of Antwerp, and allegedly tells him "It is my intention to write a book about the way a country should be governed according to my principals. But, it is dangerous to write about those things in England while king Henry the 8 wrath is so easily encouraged, I could perhaps write that I met an old sailor in your house and introduce that man as a globetrotter, who had traveled all over the world and had seen places that we don't even know the existence of. What he had seen there was so unbelievable as compared to the life in Europe that the islands the countries he had visited would seem to belong to another world. Therefore, the title of my book will be "Utopia" a word that means "no where." That sailor will have traveled all over Europe and lived sometime in France Germany, and England. That is why he could compare the ideal community he got acquainted with in Utopia, to the ones he got to know in our countries, and that way I would keep myself out of the matter." After he returned to London, he wrote the fist chapter. Now, what would that tell us about the Utopian imagination, the creation the public presentation of a Utopia? Moore was beheaded in 1535; he would not recognize marriage to Ann Boleyn as lawful to the church. In 1534, Henry becomes head of the church, but Moore remains loyal to pope. In 1935, Moore is canonized. We have to take Moore's religion very seriously. Moore thought Protestants should be burned, he was greedy and proud, not a perfect man. Yet he had this wish for a Utopia.

All utopian fictional ideas of mythic proportion occupy kind of distant realm of the afterlife, myth, faith that unite all of these elements in a matter that is so rich and potentially illuminating and invaluable for scholars students that are interested in working across boundaries and in understanding and exploring the value of working across boundaries. Societies woven and inhabited by populations some of them very select, the exceptionally virtuous or blessed in some cases getting there requires a metaphysical transformation, in other cases it requires a harrowing journey that has to be understood as some ways metaphorical and some ways literal. There is always a sense that to reach Utopia requires a transformation of the human self how do we get away from our flaws, how do we get away from our seemingly inevitable and invariable nature of our being.

These places offer anecdotes to painful and tragic realities to human existence. They are historical in nature you cannot understand any utopia, whether it is represented in a sci-fi movie, or novel or feminist utopia; they must be placed in some kind of a historical context. A fascinating proposition to explore, all utopias all acts of the utopian imagination strike us as constituting in one manner or another statements, critiques or observations about the world we occupy at that given moment. Therefore, any utopia is a reflection and study of the world that we are occupying at that given moment and what we wish it were rather than what it is at that moment. Therefore, utopia is a deeply and inescapably a historical manner organizing the human imagination. I don't think any utopia works in a fixed and eternal way because for every generation and every age they have to imagine their own utopia. Of course utopian experiments were not just talking about fiction or wishing it were so, were talking about actual Soviet Revolution of 1917, were looking at movements looking to bring about radical profound social and political changes that are so deeply utopian in nature. So utopians are aesthetic, philosophical, sociological, they are imagined and fictional, but you can look a history and find attempts most of which failed to bring about these kind of communities that Emerson, Thoreau, these 19th century American egalitarian attempts to create the ideal agrarian society. 1960 hippies reawakening movement of going back to the natural and living off the land. Even today's green and ecological revolution you find in them utopian aspects that resonate so richly with the history of envisioning the ideal society, an ideal place.

Oscar Wilde once said "A map of the world that does not include Utopia, is not even worth glancing at for it leaves out the one country at which humanity has always landed, and when humanity lands there it looks out sees a better country set sail. Progress is the realization of utopias." So when we talk about utopias we are not only talking about a desire or a wish or a longing for perfection, we are talking about an order of progress, a way in which we intend to advance, a way in which we envision or imagine improvement and progress. A progress narrative, psychoanalysis is utopian. Freud's theory of psychoanalysis is a scientific expression of the utopian imagination. The idea that where id was, the ego shall be. The idea of a talking story, the idea that we can master our neurosis that we can harness them that we can move from unconscious behavior to conscious behavior. Marxism and all the grand philosophies of the 19th and 20th centuries are grand utopian narratives. Feminism is a grand utopian narrative in and of itself.

Recommended reading for anyone interested in history, psychology, philosophy, and literature.

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