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Photographers, A-Z
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untitled
untitled

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Author: Diane Arbus
Publisher: aperture
Category: Book

Buy Used: $30.00



Used (2) Collectible (1) from $30.00

Avg. Customer Rating: 4.0 out of 5 stars 8 reviews
Sales Rank: 3192076

Format: Import
Media: Hardcover
Pages: 112
Shipping Weight (lbs): 3.4

ISBN: 0500541981
EAN: 9780500541982
ASIN: 0500541981

Publication Date: 1995
Availability: Usually ships in 1-2 business days
Condition: Hardback w/ DJ both in very good condition. DJ in mylar. Clean text w/ tight binding. art.

Also Available In:

  • Hardcover - Diane Arbus: Untitled

Similar Items:

  • Diane Arbus: An Aperture Monograph
  • Diane Arbus Revelations
  • Diane Arbus: Magazine Work
  • Diane Arbus: A Biography
  • Diane Arbus: Family Albums

Customer Reviews:   Read 3 more reviews...

5 out of 5 stars Damaged Lives, Perfected Photos   March 30, 2000
 14 out of 14 found this review helpful

Exhibiting her pictures taken at homes for the mentally handicapped, this book made me feel both sorrow for the situations these people lived in, as well as the innate beauty of someone who doesn't judge and lives their life being joyous. Alternately smiling and furrowing my brow, I have looked through this book numerous times. These people don't pose for their photographs, they simply exist and Diane Arbus has captured their existence with an amazing beauty and personal touch.


5 out of 5 stars Buy it!   May 14, 2000
 10 out of 12 found this review helpful

This book demonstrates the immense talent Diane Arbus had in capturing people's environment, emotions, and presenting their story. Being an Arbus fan, I felt that the individuals in this book were in many ways the happiest people she had ever photographed.

The quality of the photos in the book are beautiful and pretty much true to form of an actual work from her. I highly recommend this book!


5 out of 5 stars a work of startlingly brilliant photographic genius   January 8, 2005
 9 out of 9 found this review helpful

Diane Arbus was to photography what Andrew Wyeth was to painting, or what Carson McCullers was to literature. Arbus's work was startingly beautiful--not in the conventional sense, but in the sense that the bare emotions conveyed by her subjects was simply beautiful in its humanity. Arbus photographed people that other photographers of the time weren't interested in capturing on their lenses--she was best at photographing those who lived on the outside of mainstream society, and her work was not only of immense honesty but also provided something of a character study for every person she photographed. This collection is composed of photographs she shot of mentally handicapped or disturbed individuals, shortly before her death. It is an unflinching, honest look at people who are largely either pitied or mocked by society.


5 out of 5 stars Subjectivity   December 9, 2002
 8 out of 8 found this review helpful

A sad book, a mind-opening book, and many more things. Viewing these photographs will conjure up completely different personal reactions, depending upon your frame of mind at the time of viewing. That is what is so remarkable about Arbus' work; so many emotions are brought to the surface.

And while I know that some people will be turned off, even repulsed by this final phase of Arbus' work, I strongly disagree with the reviewer from Chico, CA in saying that it would have been better if this work has not been published. This work is not pretty, and it is not candy-coated, but it should be, and thankfully has been, published. Real life is not always pretty, and we each have our own concepts of such ideals. If you are uncomfortable with other's perspectives on beauty and reality, close the book or sell it to someone else. But do not impose your censorship on me.


4 out of 5 stars Some people just don't get it.....   February 2, 2004
 8 out of 9 found this review helpful

... and I strongly suggest you take the time to go see the penultimate exhibition of Arbus' work that is currently at the San Francisco MOMA and is set to start touring soon.

Arbus' "untitled" work is very similar to her work with couples... it gives power to the powerless, disarms the authoritative. Look at her images of couples in the 50s and 60s... the Men (those in a power position of a relationship) are disconnected, almost bored by the process, while the Women hold your gaze defiantly, challenging the viewer.... menacing. Not to be sexually stereotyped, the images of Mothers and Sons.... the dominant Mothers becoming the dispassionate party while the Son engages you. So too are these untitled images of the "mentally challenged", the handicapped, the children and young adults with Down's Syndrome in the images. They are living in an era where they are shunned and exiled to mental institutions.... but these images show us that they are not the weak and powerless who should be pitied.

In Arbus' earlier images, the power-base in the relationship of people shown set up the dichotomy. In these images, the defiant gazes come from those WE, the *viewer* choose to ignore and treat with indifference.

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