Addonizio and Laux are lively spokespersons for the poet's life; they pepper their thoughts with well-chosen poems from their contemporaries--including David Bottoms, Jack Gilbert, Linda Gregg, and Jane Kenyon--and they conclude each short chapter with an invigorating collection of ideas for writing. These "ideas" culminate in a terrific section of writing exercises at book's end: write a poem describing "your most acutely embarrassing moment"; "write a poem of praise for an unlikely group of people, things, ideas"; "write a poem about the last time you saw a loved one you lost." I found myself a bit frustrated by the brevity of the discussions (most chapters are under 10 pages) and a bit put off by the first person plural narrative (do Addonizio and Laux really agree on everything they say they agree on?), but these are mere quibbles. This is a fine book indeed. --Jane Steinberg

Product Description
From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry--and do it well. In this fortuitous collaboration, two spirited poets, themselves teachers of poetry, offer guidance to aspiring beginners and those who have already published. Brief essays on the elements of poetry, technique, and suggested subjects for writing are each followed by distinctive writing exercises. ("Compare an actual family photograph with one that was never taken, but might have been.") The ups and downs of the writing life--including the inevitable visitations of self-doubt and writer's block--are here, along with tips about getting published. A special section contains twenty-minute writing exercises, and valuable appendixes cover further reading and marketing advice. On your own, this book can be your "teacher," while groups, in or out of the classroom, can profit from sharing weekly assignments. Numerous examples of contemporary poetry, chosen for relevance and freshness, illustrate salient points and stimulate the imagination. By calling on their own experience and focusing on living American writers for their models, the authors introduce you to poetry as it is right now.

But this one is different. It is incredibly readable for a start, manages to be warm and friendly and funny at the same time as showing new ways to look at the craft of writing. The best example I can give you is the chapter on grammar ... a terrifying ordeal for a great many of us. But somehow this pair have managed to make it INTERESTING and INSPIRING! They are like the sort of English teacher you wish you could have had at High School. Remember Robin Williams in "Dead Poets Society"? Now you get the picture.

Look, I could go on for hours on this book. Beg, borrow or steal a copy for yourself. This book brought me to tears - all I kept thinking was that it was exactly the book that I needed right now. Try it. You'll agree.


Almost Stopped Before I Started: So Glad I Didn't!   April 10, 2004
 37 out of 39 found this review helpful

I almost ruled out reading this book when I read the author's (to me) bold statement on page 225: "Can you write a poem in 20 minutes? We seriously doubt it."

Being, at times, a very fast poet, I *gasped* when I read that assertion! (Don't ask me how I got to page 225 before I read the rest of the book but nonetheless, it stuck out to me!)

I kept at it, though, and found my way through the original assessment and into many of the glorious exercises, the truth in words that I so resonate with such as "We don't believe in writer's block. We believe there are times when you are empty and times when you are full."

The section on Metrical poetry is truly magical - I enjoyed learning about how Free-Verse as a form blossomed as well.

There are also many, many valuable resources in the appendices such as Books on Poetry and Writing, Finding Markets for Your Poetry and More Resources for Writers.

Finally, this book is chock full of exercises so that you can continue picking it up and revisit, use, revisit, use some more, revisit over and over again. Definitely worth the investment AND I am so glad I didn't toss it all because of one difference in opinion.


For adult writers...   December 26, 2004
 18 out of 28 found this review helpful

Although I don't doubt this is a great book for writing poetry- I thought I would mention that it is for adults. I read the reviews and ordered the book for my 14 year old who loves to write poetry- thinking the reviews made it sound perfect. The content does include adult topics, sexual language, and some language. Just thought others may find this helpful to know. I sent it back, as it was not appropriate for my daughter.


a great guide   May 21, 2003
 16 out of 17 found this review helpful

It comes as no surpise (since Dorianne Laux is a great poet and Addonzio is one of the best of her generation) that this is a great guide to writing poety (I love the subtitle: "A Guide to the Pleasures of Writing Poetry"-- note the pleasures). And it's good for any level of experience. It has a lot to teach the beginner, a help to the intermediate, and even the advanced student of poetry can get some ideas from this book. The first section of the book covers some subjects for writing, including family, death, and the erotic. Most of the book discussing the craft of poetry. The chapters deal with images, simile and metaphore, the line, voice, dreams and experiments, meter and rhyme, repetition and rhythm, the villanell, panotoum, and sestina, grammr, and revision. Then they have a section titled "The Writing Life" which deals with self-doubt, writer's block, getting published, and the internet. Most of the chapters end with writing exercises, to help give you ideas for poems and practice at writing. And at the end of the book they have their "Tweny-Minute Wriitng Exercises." Addonizio and Laux chose, in general, great poems to illustrate whatever they are discussing. And the book even has several useful appenices: Books on Poetry and Writing; Anthologies for Further Reading; Finding Markets for Your Poems; and More Resources for Writers. It's a great guide and useful teaching tool, and told in a conversational, interesting voice. It's a purchase no poet will regret.


Dead Poets   June 12, 2000
 14 out of 28 found this review helpful

I agree that this book is reminiscent of "Dead Poets Society," for it teaches us that poetry is primarily an affective exercise, a kind of therapeutic expression of one's deep thoughts and dangerous experiences. The authors would have us believe the heart of poetry is large idea and grandiose confession. They seem to overlook the beauties of precision and quiet interlocking of words on several semiotic levels. "Is this a dagger I see before me?" Nope. It's just a letter opener.