Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler

Product Description
“No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own.” Thus begins one of the most terrifying and morally prescient science fiction novels ever penned. Beginning with a series of strange flashes in the distant night sky, the Martian attack initially causes little concern on Earth. Then the destruction erupts—ten massive aliens roam England and destroy with heat rays everything in their path. Very soon mankind finds itself on the brink of extinction. Wells raises questions of mortality, man’s place in nature, and the evil lurking in the technological future—questions that remain urgently relevant in the twenty-first century.

In each case, Wells uses the trappings of science-fiction and popular literature to lure readers into what is essentially a moral lesson. THE TIME MACHINE is essentially a statement on the evils of the English class system. THE INVISIBLE MAN addresses the predicaments of the men and women to whom society turns a blind eye. And THE WAR OF THE WORLDS is a truly savage commentary on British imperialism and colonialism.

This is not to say that it isn't science-fiction--for it most certainly is, and moreover it is science-fiction well grounded in the scientific thinking of its day: intelligent life on Mars was believed to be entirely possible, and Wells forecasts the machinery and weapons that would soon become all too real in World War I. Set in England about the beginning of the 20th Century, the story finds a strange meteor landing near the narrator's home--and from it emerge Martians, who promptly construct gigantic and powerful killing machines and set about wiping the human population of England off the face of the earth. The Martians and their machines are exceptionally well imagined, the story moves at a fast clip, and the writing is strong, concise, and powerful. And to say the book has had tremendous influence is an understatement: we have been deluged with tales of alien invaders (although not necessarily from Mars) ever since.

But there is a great deal more going on here than just an entertaining story. Both the England and Europe of 1898 were imperialistic powers, beating less technologically advanced cultures into submission, colonizing them, and then draining them of their resources. With THE WAR OF THE WORLDS, Wells turns the tables, and imperialistic England finds itself facing the same sort of social, economic, and cultural extermination it has repeatedly visited on others.

The upshot of the whole thing is that Wells ultimately paints the English habit of forced colonization as akin to an invasion by horrific blood-sucking monsters from outer space--and even goes so far as to suggest that if the present trend continues we ourselves may follow an evolutionary path that will bring us to the same level as the Martians: ugly, sluggish creatures that rely on machines and simply drain off what they need from others without any great concern for the consequences. If we find the idea of such creatures horrific, he warns, we'd best look to our own habits. For these monsters are more like us than we may first suppose.

And this, really, is why the novel has survived even in the face of advancing scientific knowledge that renders the idea of an invasion from Mars more than a little foolish. THE WAR OF THE WORLDS is a mirror, and even more than a century later the Martians reflect our own nature to a truly uncomfortable degree. A memorable novel, and strongly recommended--at least to those who have the sense to understand the parable it offers.

--GFT (Amazon.com Reviewer)--


Gripping   November 27, 2001
 37 out of 41 found this review helpful

Unknown to the inhabitants of Earth, the planet Mars is aging and nearing its exhaustion. The Martians, not even perceiving humans to be anything other than animals, decide that it is time to seize this lush, young planet. Landing in several locations in southeastern England they begin their conquest of the planet. Can man, with his most advanced technology hope to stop the Martians with their much more advanced technology?

You've seen the 1953 movie, War of the Worlds, and want to read it in book form? Well, then don't look here. Herbert George Wells wrote this book in 1898, a mere one year after The Invisible Man, and two years after The Island of Doctor Moreau. The moviemakers of the 1950s made a wonderful movie, but one that, alas, bears very little resemblance to the original!

This book is one of the crowning examples of nineteenth century fantastic fiction. It is a gripping story that masterfully combines horror and suspense, keeping you at the edge of your seat until the final page.

I am lucky enough to possess the 2001, Books of Wonder edition that contains fourteen wonderful, full-color, full-page illustrations plus the two-page illustrations on the front and back, all done by the masterful Tom Kidd. It is very well made, and would make an excellent addition to any library.


A race of aliens with very human characteristics   December 10, 1999
 23 out of 26 found this review helpful

Many people who have heard of "The War of the Worlds" may have seen the movie without reading the book. The movie was set in Cold War America, with martians that flew in what looked like greenish manta rays. The book was set in Victorian England, and the martians looked like towering tripods. In both versions however the premise is the same: Earth invaded by a superior alien intelligence. HG Wells wrote about humanity's ego and complacency being crushed by a highly developed lifeform.

"The War of the Worlds" has been interpreted as an allegory of imperialism. Just as the British took over other countries to make them part of the Empire, so too is the Earth being taken over by the Martians. They even bring their own plant life with them, the "Red Weed". The Martians see us as vermin, trying to wipe us out with heat rays and poisonous black gas. Thats's what makes the story so much fun. It is frightening in a cosy sort of way. We read the story in a safe, comfortable room, while the narrator talks of all the death and destruction he sees.

An interesting point that Issac Asimov once brought up was that if alien intelligence did exist, their advanced evolution would also mean they would be emotionally superior to us. They would not act like barbarians, as war is a primitive thing. When people write alien invasion stories, they are really saying something about us. We are destructive and aggressive by nature. Our history has been one long story of conquest, slavery and even genocide. So HG Wells has put a little bit of us into his Martians. Both metaphorically (as imperialists), and literally (as food).


Good Science Fiction, Based on Sound Science   December 14, 2004
 19 out of 20 found this review helpful

H.G. Wells crafted his pioneering science fiction in a time when taxis were drawn by horse, indoor light came only from candles, and when far less was known by the general reader about astronomy and astrophysics. It was an era when the fiction of science and the fact of science were more easily interwoven. Even in our Speilberg-wise, video game era, when wars are intergalactic, as opposed to merely interplanetary, Wells' seminal work fascinates us, even if it doesn't chill us. In fact, the scientifically literate reader should be able to anticipate the defeat of the Martian invaders based on general knowledge and Wells' own foreshadowing.


Battling the Invaders from Planet Hollywood   May 10, 2005
 17 out of 19 found this review helpful

As the percentage of the population that reads quality fiction declines, foundational literature like H.G. Wells The War of the Worlds is read less often. This is partly because whatever it has to offer is assumed to be easy enough to find in the movie - a regrettable error. In anticipation of the Speilberg/Cruise version, I recently returned to the book after more than thirty years, having read it first as an impressionable ten year old. What I found was much more than the story of a Martian invasion. The book resonates with profound observations about society and technology that are as far ahead of their time as the towering, metallic Martian invasion machines were to the horse and buggy world of Well's original setting.

The movie and radio versions always want to update it, but this saps the power of the original novel. If it is terrifying to be invaded by a superior intelligence, it is all the more terrifying if the technological contrast between you and them is staggering, as Wells intended it. The power of Well's imagination is impressive when you consider that he was conceiving heat rays, enormous tentacle-endowed grappling machines and poisonous gas at a time before automobiles and airplanes appeared and when people still heated their homes with coal stoves.

I can virtually guarantee you, Speilberg won't go there. Nobody today wants a movie about the late nineteenth century that doesn't involve lots of fancy costumes and an attractive young British woman deflecting the romantic attentions of some handsome hunk. Spielberg will update it.

Interestingly, there is no romance in Well's book, and virtually no sentimentality, save a surrender to convention at the end which, by today's lights, will neither uplift nor terribly disappoint. Well's book is about something else. It's about one man's coming to terms with humanity, as much as he's coming to terms with the Martians. It's a theme worth exploring today.

Some will argue that lots of science fiction is about humanity, but let's not lose sight of the fact that Well's was first. Along with Jules Vernes and a few other 19th Century pioneers he was inventing the genre. As is often the case with the foundational classics, from Mary Shelley's Frankenstein to Edgar Allen Poe's Murders at the Rue Morgue these newly forged nuggets of genre fiction may be considered quaint today, but their authors created the maps that every other writer followed, and what's revealed, if you care to read them, is that they are always about something else, the human experience, during the time they were written in, and for all time. They are universal, which explains their longevity. They are about the condition of being human, in profound ways, which popular movies almost never want to explore for fear of losing box office.

Spielberg will give us a pseudo-family, thrown together by circumstance and menaced by something that wants to destroy them. Most popular American movies today are about the same thing. It's simple. It's why Fox News is so widely watched and why people vote for "moral values" with a picture in their minds not unlike the sanitized version of family that comes in the packaging for desk top frames. And it's why Spielberg's movie will make millions. But Wells is about something far more interesting morally - and far more complex.

His main character contends with reckless fascination, suicidal skepticism, ugly greed, deadly self-interest, everyday meanness, as well as the cowardly smallness of theatrical religiosity and the self-absorbed laziness of loud-mouth intellectualism. Given the inadequacy of humans, the question arises, how can they possibly survive against their intellectually advanced foes? This is the true question of the book - which Spielberg is sure to brush aside in favor of lots of cool special effects and the pretty faces of the actors trying to save their "family".

But Well's answer to the question is sheer genius. If you don't already know it, hold off on seeing the movie until you've read the book, because this is something Spielberg will include.

Movies use art to generate commerce. Literature uses commerce to advance art. Two different purposes, two different results. Spielberg's movie will be great. I'm looking forward to it. But it's no substitute for the book. And if you're a Science Fiction fan and you've never read The War of the Worlds you owe it to yourself to see where it all came from, sans the Hollywoodization. It's all about being human, and that's something worth exploring deeply. And something worth fighting for, whether it be against Martians, or more human adversaries.