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| Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice | 
 enlarge | Author: Juliette Aristides
Publisher: Watson-Guptill
Category: Book
List Price: $35.00
Buy New: $22.97
You Save: $12.03 (34%)
New (26) Used (6) Collectible (1) from $22.97
Avg. Customer Rating:  7 reviews
Sales Rank: 7322
Media: Hardcover
Edition: First Edition
Number Of Items: 1
Pages: 256
Shipping Weight (lbs): 2.7
Dimensions (in): 11.1 x 9.1 x 1
ISBN: 0823006581
Dewey Decimal Number: 751
EAN: 9780823006588
ASIN: 0823006581
Publication Date: April 1, 2008
Availability: Usually ships in 1-2 business days
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Product Description
Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.
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| Customer Reviews: Read 2 more reviews...
 Highly recommended!!! April 3, 2008
30 out of 31 found this review helpful
Juliette Aristides has done it again. She has followed her first book titled Classical Drawing Atelier, with another book on painting. As in the case of the first book, she and the editors/publishers (Watson & Guptill) have created a beautiful book that not only provides helpful instruction, but it's simply beautiful as a work of art itself.
It's hard to keep this review short because there's a lot to discuss, but to start I'll admit that I'm biased. I'm thankful that Juliette has taken the time to write it and I hope it goes into its tenth printing in the next two years. The near death of classical painting and drawing at the hands of "modern" art would have been an incalculable loss for western society, but somehow, reason and knowledge remained in the minds of a few, and classical art survived. Many of us recognized all along that it has value and have rejected the alternative, but the pressure to conform to creating the ephemeral and inferior art that society desired was too strong for many. This stunning volume confirms that classical art is coming back and Juliette has helped that process.
The book comprises four parts and nine chapters: Part 1) The Artists Studio - describes both historic and contemporary atelier practices; Part 2) Timeless Principals - covers composition, value, and color; Part 3) Timeless Practices - discusses the process, inspiration, and the muse; and finally section Part 4) Masterworks - beautiful images from some of the most important realist painters through out history and some contemporary masters.
The author covers processes or "choices" if you will, and most importantly, she conveys "thinking" about those processes. The book will aid those that want or need to understand why things are done in a particular way and by extension, in some cases the reasons you may not want to use a particular method or continue doing what you are now. Illustrative examples primarily include figurative and still life work while landscape is only lightly represented, however, the same principals and processes are applied to all types of painting, not a specific genre. Artists represented include the usual masters such as Rembrandt and Hals, but we also get to see contemporary paintings from Daniel Sprick, Nelson Shanks, Scott Frasier, Jacob Collins, et. al. Each painting shown includes a short description and discussion about the work, talking about the methods employed and the effects achieved.
The value in this book is not simply the information provided (it's well written) or the amazing images - a stunning and beautiful selection including one of my all time favorites entitled Roses by A.H. Thayer - but in the larger meaning the book conveys as a revival of intelligent painting. Very few, if any, art schools today can even imagine what artistic training should include. Students attending these schools often learn that it's not about the final product, but simply about the process of making art, and any art is good art. The result is thousands of unskilled, abstract painters and artists "graduating" and thinking everything they do is worthwhile. In their defense, the students have few opportunities to learn real skills because their instructors are products of the same system. The cycle can be broken, and with the help of this book showing what's possible and how it's done, many students can demand more from their schools or simply extricate themselves from the morass and seek an atelier.
My hope, and I'm sure it's shared by the author, is that this book will be an inspiration to those seeking more from their instructors or school, and even from their own art.
Well done Juliette and thank you for creating another important book. Highly recommended. 10 Stars!!!!
Finally, a Painting book that "puts it all together' April 12, 2008
17 out of 17 found this review helpful
The author called her first book in this series 'the course I always wanted to take' in other words the highlights of all the different instructors and methods she encountered studying.
Unless you study at a formal atelier like, say New York Academy or Grand Central Academy, chances are you'll run into a variety of methods and approaches when learning to paint and draw.
This book gives what I think is the best comprehensive overview for people who want to become accomplished "realist" or 'classical' painters - its definitely filled in a lot of gaps for me.
There is no shortage of information out there about painting...the problem is its not distilled - what this book gives you is the distilled wisdom of the author- an accomplished painter who runs a respected atelier.
For example there is a great book about artists materials -but its 900+ pages long (artist materials handbook) - its great to have that information but whittled down materials overview in this book is "useable".
Some other key points:
The quality of the reproductions is outstanding
examples are not only old masters but contemporary realists - and not just the author!
Highly recommended and I might add ,an outstanding value.
Its About Time April 5, 2008
16 out of 16 found this review helpful
My studio is filled with books on art. However, there are only a handful of them that I would consider extraordinarily useful and this is one of them. I haven't had a chance to read the entire text but the portions I have read are very well done. I can't get over how packed this book is with colored reproductions of works by my favorite artists such as Jacob Collins and Tony Ryder. You will find it hard to read because you will be caught up looking at the beautiful works which are represented. Thank you, Juliette Aristides, for this long awaited, much needed work!
 skinned rabbit on a plate!! May 8, 2008
10 out of 27 found this review helpful
This book comes across as a quasi-religious manifesto at times, and as shameless pandering at others. There is not a whole lot of actual information or instruction here beyond a basic level. The idea, I think, is that you have to actually attend an atelier to get the full instruction. (The author runs an atelier.) There are quite a few nice reproductions in this book and that is the main value I see in it. The moderns in general dont hold up well against their old master and 19th century predecessors although there are some exceptions such as jacob collins and jeremy lipking. This book also includes one of the most horrific images I have ever seen - a skinned bloody rabbit on a plate. If that sounds appetizing to you then maybe you'll like this book more than I did. oh yeah I hate odd nerdrum too - totally overrated.
greatness May 28, 2008
1 out of 1 found this review helpful
This book, along with the one on drawing is simply the truth about how to attain excellence in painting, not just a step-by-step or history based piece of literature. she has spent many years studying side by side with some of the greatest masters today including Jacob Collins and now she has attained a masterly level and runs her own atelier. the only way to understand these concepts better would be to learn it from the mouth of a master. i personally consider this book along with all the amazing visuals the prize of my library and a gigantic boost to my artistic endeavors.
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