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Power Corruption & Lies (2 CD Collector's Edition)
Power Corruption & Lies (2 CD Collector's Edition)

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Artist: New Order
Label: Rhino
Category: Music

List Price: $24.98
Buy New: $15.95
You Save: $9.03 (36%)



New (35) Used (7) from $15.95

Avg. Customer Rating: 4.5 out of 5 stars 61 reviews
Sales Rank: 3561

Format: Collector's Edition, Original Recording Remastered
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5.2 x 0.7

MPN: 516186
UPC: 081227988609
EAN: 0081227988609
ASIN: B001FBJULI

Release Date: November 11, 2008  (New: Last 30 Days)
Availability: Usually ships in 1-2 business days
Condition: Factory sealed!! 2 CDs

Tracks:

  Disc 1
  • Age of Consent
  • We All Stand
  • The Village
  • 586
  • Your Silent Face
  • Ultraviolence
  • Ecstacy
  • Leave Me Alone

  Disc 2
  • Blue Monday
  • The Beach
  • Confusion
  • Thieves Like Us
  • Lonesome Tonight
  • Murder
  • Thieves Like Us
  • Confusion

Similar Items:

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  • Brotherhood (2 CD Collector's Edition)
  • Movement (2 CD Collector's Edition)
  • Technique (2 CD Collector's Edition)
  • Movement

Editorial Reviews:

Amazon.com essential recording
Power, Corruption & Lies established New Order's identity separate from its previous incarnation as Joy Division. Containing "Blue Monday," one of the most sacredly important dance songs of all time, this album truly stands not only as New Order's most defining moment but perhaps as the most standard-setting moment in alternative dance. Yet as definitive as they may be, New Order have outsmarted any copycats. Owing in substantial part to Peter Hook's prominent and melodic bass lines, New Order's songs have always aspired to a complexity that maintains the band's timelessness. Rarely formulaic, New Order's songs are seldom overwhelmed by a four-on-the-floor throb. But interesting rhythms are just one facet of this musical diamond. Their foreboding, grim, and often just plain heartbreaking lyrics present a contradiction to most dance-pop songs, whose lyrics are almost always uplifting or even evangelical. With this album, New Order cut a path for themselves that was rarely, if ever, explored by other artists. --Beth Bessmer

Album Description
Digitally remastered and expanded two CD edition of this 1983 album from the Manchester quartet, one of the most successful and consistent bands of the '80s and beyond. After the suicide of vocalist, Ian Curtis, the three surviving members of Joy Division regrouped under the band name New Order, adding Gillian Gilbert on keyboards. The rest, as they say, is history. Disc One in this package contains the original album in its digitally remastered glory. Disc Two is filled with eight non-album singles, B-sides and remixes. This is as great as it gets! Rhino UK. 2008.


Customer Reviews:   Read 56 more reviews...

1 out of 5 stars Loaded with errors   November 12, 2008
 26 out of 27 found this review helpful

The MUSIC on these New Order reissues get a 5/5, easily. However, there were far too many egregious mistakes made in the creation of the discs themselves to give them a pass. Only the first discs were re-mastered though they still have some problems, it is the bonus discs that are an absolute mess.

Warner Music/Rhino know about these problems, but there is yet no word on any forthcoming fixes. So I'd hold off until these issues are addressed.

Noted below are the specific problems with the PC&L reissue:

1, Age of consent
2, We all stand
3, The village
4, 586 ("abrupt ending", "drops the last 4 bass notes")
5, Your silent face
6, Ultraviolence
7, Ecstasy
8, Leave me alone

Power, Corruption and Lies - bonus disc:
1, Blue Monday (L/R pans 0:07[sudden], and between 0:19 and 2:24. At 2:24 it pans back again. Unconfirmed whether this is on the original 12 inch)
2, The Beach
3, Confusion - Clicks at 4:04 and 6:00 (Left channel click at 8:06)
4, Thieves like us
5, Lonesome Tonight (clicks at 0:40 and 0:59)
6, Murder - "Clicks" at 0:35, 1:08, 1:29, 1:43, 2:03, 2:31, 2:43, 2:50, 3:00, 3:19, 3:26
7, Thieves like us (instrumental) (click at 1:03 )
8, Confusion (instrumental)





5 out of 5 stars the perfect mix   November 19, 2003
 17 out of 18 found this review helpful

Whenever someone complains that electronic music is totally void of warmth or realism, I just point to this album. New Order play electronic music with the urgent and manic shifts of rock. Bernards vocals are earnest yet detatched, with guitar work that is jagged, random and sparse; Gillian and Stephen's percussion and synth sequences are both lively and rigid, an up-beat/down-march; Peter's basslines are fluid yet kinetic. This is a work of ironic friction. The warmth and humanity flow thru the restrained and urgent detatchment. The whole album sounds like a friend that wants to say something but can't, hiding it behind his/her eyes.
I would consider Power, Corruption & Lies an artistic/pop masterpiece in the true sense. The electronic and post-punk meanderings are only the charms that envelope the wonderfully angular pop sense that Bernard brings to his lyrics. Everything is so vague and pretty; it's like the album cover...just a random slice of still-life, full of colour and restraint. Tracks like 'Your Silent Face' or '5-8-6' explode with edgy, manic shades of light, sorta like impressionism via expressionism.
You won't be let down by this album. With the band themselves producing it, it's a natural workout of rock and electronics, perfectly blended together to make a classic.



5 out of 5 stars Don't let Blue Monday distract you   March 22, 2000
 10 out of 10 found this review helpful

This album sits inbetween the darker more reflective indie sound of Joy Division and the somewhat lighter dance sound of New Order, but in no way sounds like it is not sure where it stands. It is a confident sound from a group shaking off past ghosts and embracing a new direction. The standout track is Your Silent Face with it's lush orchestral synth arrangements and Bernard Sumner's deadpan vocal delivery. This track alone is worth the admission price. Despite their brilliance, I believe that the inclusion of Blue Monday and The Beach (ommitted from the original release) may detract the listener from the rest of the album. If you are buying this for these 2 tracks, do yourself a favour and program your cd player to run through without them, you will find that what you're left with is a stunning album.


5 out of 5 stars Pinnacle of World-Weary Dance-Pop   June 2, 2001
 10 out of 11 found this review helpful

Who could listen to the opening riff of "Age of Consent" and not be hooked? My first hearing of that remains a high point of my encounters with pop culture. I agree with other reviewers who've said that the album in its original form without "Blue Monday" was "better"; it was, but I'm still glad to have it, since I'm not a perfectionist about keeping cultural artifacts in some pristine state.


5 out of 5 stars Clarification   August 28, 2004
 9 out of 10 found this review helpful

This album is definitely in my top 10 of 1980s albums. I listened to it daily throughout 1983 and 1984. That said, I believe some clarification is in order.

The review just previous to this one incorrectly states that "The Village" was not on the original "Power, Corruption & Lies" that was released on vinyl in 1983. Actually, "The Village" was on the album, but "Blue Monday" backed with "The Beach" was a separate 12" single from around the same time. It was added when the album was released on CD a few years later. Unfortunately the record label thought it fitting to disrupt the original track order and "flow" of the album. These two songs should be listed as "bonus tracks" and be put at the end of the album, or maybe be left off altogether, since they are also on the "Substance" collection. What's more, Amazon didn't help by having their own review done by someone who was obviously unfamiliar with the original album.


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