The 2000 remastered version of The Pajama Game features vastly improved sound and bonus tracks taken from a 1954 radio show: Raitt's "The World Around Us" (dropped from the show) and Raitt and Paige's "There Once Was a Man," both with a rehearsal pianist, and Adler and Ross themselves singing "Hernando's Hideaway" with Ross at the piano. --David Horiuchi

A great score by Adler and Ross, fabulous choreography by Bob Fosse and great performances by Johh Raitt, Janis Paige, Eddie Foy, Reta Shaw and Carol Haney, all add the glitter and frosting on this perfect souffle of a musical show.

Janis Paige, whom one reviewer on this page said "sounded like a fog-horn", is great as Babe Williams. This was Paige's first stage role, and she would later go on to follow Angela Lansbury in MAME, among other things.

John Raitt (the original Broadway production of CAROUSEL), is dynamite as Sid Sorokin, and he would later reprise the role for the film version opposite Doris Day as Babe, but with the bulk of the B'way players intact, including Shaw, Foy and Haney. (Sadly sans Janis Paige).

All in all, a superlative recording, with impeccable sound clarity, and additional material that is great to have hold of.

Certainly, the "Columbia Broadway Masterworks" series is a God-send, featuring fully remastered audio, and re-produced original LP artwork.


A great recording, with the best cast, but...   May 2, 2004
 11 out of 12 found this review helpful

"The Pajama Game" is a truly great musical. Although it's most popular songs have truly been immortalized, such as "Hernando's Hideaway" and "Hey There", the show itself seems to be sadly forgotten by many (depite winning both Best Score and Best Musical in the Tonys). It remains very popular with amateurs and high schools, though.

This recording of The Pajama Game, a remastered version on the original cast, has VASTLY improved sound and some great extra tracks. Despite the new tracks, though, a lot of the score is completley missing from this recording, and a lot of the songs have been abridged, cutting out dialogue sections and a lot of dance music, like the wonderful "Jealousy Ballet" number, but the loss can be both a blessing and a curse.

The cast is the best recorded, in my opinion.

John Raitt as Sid - I'm not sure if this show was Raitt's star turn or Carousel was, but regardless, he is a fantastic talent and it really shows on this recording. His solos on this recording are superior to any other renditions. "Hey There", "A New Town Is a Blue Town", and "There Once Was a Man"(my personal favorite) are just fantastic. Great all around.

Janis Paige as Babe - Ok...she grows on you. If Paige is not singing in a more characterized voice, than she needs to be shot because she sounds like a wounded animal, BUT for the role her funky voice is very well suited. Her belt voice doesn't use much vibrato or any classical broadway norms, but her much grittier voice brings a more "real" feel to her character. "I'm Not At All In Love" is great and her comedic-like turn in "There Once Was a Man" is also fantastic.

Eddie Foy Jr. as Hines - I just recently finished performing as Hines in a production of "The Pajama Game" so I know the role well. Foy is my favorite recorded Hines, he has such a different voice and personality to his character that simply cannot be imitated. It's a shame so much of his role was cut from the movie. "I'll Never Be Jealous Again" is pleasantly comic, "Think Of The Time I Save" is cute and pleasant, and the opening is also great. An excellent performance.

Carol Haney as Gladys - Gladys is THE show stealing role of "The Pajama Game", and the underrated and underused Carol Haney stole this production way back when. Haney is cooky, lovable, and on stage, a fantastic dancer. Haney stepped into the role originally envisioned for Gwen Verdon and made it the role it is today, funny and wonderful. Haney sings two of the show's classics, "Steam Heat"(the best recorded), and "Hernando's Hideaway" both totally wonderful.

Stanley Prager as Prez - A really great performance. Prager gives a rough, growling voice to Prez and it comes off as a great perfomance. "Her Is" is great, as is "Seven and A Half Cents"(although Prager's voice humorously cracks in mid-verse). A good performance.

Reta Shaw as Mabel - Can't pull off a cute and perverted old lady any other way. Shaw's performance is solid in "I'll Never Be Jealous Again" with Foy. Pleasant to listen to.

Well, all in all, this recording, though very abridged, has the best cast and is just as good as a choice for a recording of the show. Both is better, but for casual and curious listeners, this one beats the London cast. For those who really want the full score, go London. If I had to pick the superior, I would very reluctantly choose this one(reluctantly, due to the abridged score and Ms. Paige. One thing is for sure, every theater lover must own a copy of this wonderful show.


What a Great Show!!!!   March 30, 1999
 9 out of 11 found this review helpful

I recently performed (Hines) in a revival of this show in suburban N.J. Although the show shows its age, it is such an enjoyable show to put on. The music is great, the Fosse choreography is great, and the plot provides for lots of laughs. This particular recording has a bit of a problem, though. The chap who plays Prez runs out of air in "Seven and a Half Cents". Oh well!


A Wonderful Recording of a Great Show   August 17, 2000
 9 out of 10 found this review helpful

Ignore the curmudgeon who only gives this recording 2 stars! I have had this CD for about five years, listen to it regularly, and it never fails to get me singing along, or laughing at its very witty lyrics. True, Pajama Game is not Oklahoma or Carousel, but it has a pretty terrific score, the great singing of John Raitt and supporting players like Reta Shaw and Eddie Foy. Songs that have become standards from this show include "Hey There," "Steam Heat," and "Hernando's Hideaway." I happen to love "I'm Not At All In Love," and "Once A Year Day" is infectious. For all lovers of Broadway, not just nostolgia buffs, this is a necessary recording! The show won Tony's for Best Musical, Best Composer, and Best Choreography.