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| Wastelands: Stories of the Apocalypse | 
enlarge | Authors: Stephen King, Cory Doctorow, George R. R. Martin, Octavia E. Butler, Jonathan Lethem, Orson Scott Card, Gene Wolfe, Jack Mcdevitt, Tobias S. Buckell Creator: John Joseph Adams Publisher: Night Shade Books Category: Book
List Price: $15.95 Buy New: $9.96 You Save: $5.99 (38%)
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Avg. Customer Rating: 24 reviews Sales Rank: 1376
Media: Paperback Edition: Reprint Number Of Items: 1 Pages: 352 Shipping Weight (lbs): 0.9 Dimensions (in): 8.9 x 5.9 x 1.2
ISBN: 1597801054 Dewey Decimal Number: 813.0876208 EAN: 9781597801058 ASIN: 1597801054
Publication Date: January 15, 2008 Availability: Usually ships in 1-2 business days Condition: INTERNATIONL SHIPPING!!! SHIPS from 5 locations based on your Zip Code and availability! (PA TN IN OR SC) *-* Gift Quality *-* Orders Processed Immediately! - We get your book to you Very Quickly!
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Product Description Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon - these are our guides through the Wastelands... From the Book of Revelations to The Road Warrior; from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving tales of catastrophe, chaos, and calamity. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction, including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King, Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon.
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| Customer Reviews: Read 19 more reviews...
Stories of Life After Apocalypse January 16, 2008 43 out of 45 found this review helpful
What is in a name? A title? Wastelands: Stories of the Apocalypse suggests that the anthology will cover stories directly dealing with various versions of the apocalypse, the end of the world. That is not quite what this Wastelands anthology is about, though. The original title Wastelands: Stories of Life After Apocalypse was a bit more apt in describing the content of this anthology. The stories collected here by editor John Joseph Adams are not about the apocalypse, but rather about life after apocalypse. The wastelands made of our world is not the primary point of any individual story, but rather the survival of the species told in small human stories. In that sense the majority of the stories here are filled with beauty and not just the desolation of the landscape.
What is most remarkable about Wastelands is just how varied stories about living after the destruction of civilization is. Take Octavia E. Butler's Hugo Award winning "Speech Sounds", a story where humanity has lost the power of speech and must find other ways to communicate and society has broken down. Telling the story from the perspective of a woman named Rye, Octavia Butler is able to really give the reader a sense of the terror a woman may feel in such a situation and the emptiness of that life, of the snap anger and body language required to get by, and the barest hint of hope. "Speech Sounds" has been anthologized before, but is a truly outstanding story.
The range of stories collected in Wastelands runs the gamut from "Bread and Bombs" by M. Rickert, a post 9/11 story with kids feeling the fear of their parents, to the future history of "Dark, Dark Are the Tunnels" by George R. R. Martin, a post nuclear holocaust story with the remants of humanity living deep under ground, or Paolo Bacigalupi's "The People of Sand and Slag" where humanity is barely recognizable and a dog reminds the survivors of what life must have been like before, and filled with sadness of the setting and situation. Bacigalupi's story is especially surprising to me because of how negatively I reacted to his story "Yellow Card Man", but "The People of Sand and Slag" is a heartbreaking, beautiful, and painful story.
Other standout stories in Wastelands include Cory Doctorow's "When Sysadmins Ruled the World", "Artie's Angels" by Catherine Wells, and most surprisingly, the anti-Rapture and anti-religion "Judgment Passed" by Jerry Oltion. A spacecrew who were away from Earth return to find that Christ had returned and the Rapture occurred. I had expected that Oltion's anti-Rapture theme would overwhelm the story, but Oltion was very thoughtful and the way he had the characters respond seemed reasonable and plausible.
There are stories in the Wastelands anthology which did not quite work. Gene Wolfe's "Mute" is about as inscrutable as one would expect and despite Neil Gaiman's insistence on Wolfe improving with re-reading, "Mute" fails to connect. "Still Life With Apocalypse" and "Episode Seven" both did not seem to tell a coherent story.
"Episode Seven" is notable because John Langan was inspired to write the story in response, partly, by Dave Bailey's "The End of the World As We Know It", a very different story of "post-apocalyptic" fiction. In this story the survivor has a passive response to the end of the world, drowning it in alcohol rather than fighting actively for survival. Outstanding story, one of the best in the anthology.
Also notable are Elizabeth Bear's driven "And the Deep Blue Sea" and Neal Barrett Jr's "Ginny Sweethips' Flying Circus".
The bottom line is that collectively the stories John Joseph Adams has put together here in Wastelands shows off the range of the post-apocalyptic sub-genre of fiction. Wastelands is an excellent anthology of short fiction and one that would easily fit on any collector's shelves. There are far more standout stories than there are misses, and even that is subjective.
Post-Apocalyptic fiction is a favorite sub-genre of mine, and getting the chance to see just how wide ranging the genre can be is a treat. As a bonus, Adams includes a bibliography at the end of the anthology of other prominent post-apocalyptic novels and short stories.
Reading copy provided courtesy of Night Shade Books.
Wastelands certainly is not a waste of time! December 19, 2007 18 out of 21 found this review helpful
I know if your like me you view "theme" books with a bit of skepticism. Assembling a collection of any size with only one "type" of story can be daunting. I have often found many of these types of books containing one or a few really top notch stories and the rest relegated to filler. Collections like Ellison's Dangerous Visions is a shining example of how to do it right. Is Wastelands in that league? Not quite, but DAMN close. The stories are not as "dangerous" as DV and it's no where near the size of DVs. However, don't take me wrong, the tales in Wastelands are the creme de la creme of this genre and for that matter science fiction as a whole. Often the editors choice of covers is their attempt to put their best foot forward, so by looking at just the cover of Wastelands, one might suspect that the author is attempting to snare you on name recognition alone. Believe me, this is not the case. Yes, notable names all, however the tales between those names are every bit as strong. A good example is one of my favorites in this book and appearances elsewhere - The People of Sand and Slag, by Paolo Bacigalupi, or better called a boy and his dog and an appetizer. An absolutely stunning story of the far future and an equal to any of the "names" on the front. The whole book is like this. One retina blasting mind numbing yarn after another. King's story alone is worth the price of the book. (a kind of sideways retelling of Flowers for Algernon) The only suggestion is that you read each story straight through and put the book down and walk away for a time. Each story deserves to be considered on it's own merit. The subject matter and the tales themselves are often so strong and different that you very well could miss the high point of one while recovering from the blast received from the previous reading. Wastelands is well worth the cost. The author has done his job in exemplary manner. Wastelands would make an excellent gift for the jaded science fiction fan.
Paul Cole host Beam Me Up radio program & podcast
Good post-apocalyptic fiction, but annoyingly political February 7, 2008 17 out of 35 found this review helpful
In his introduction, John Joseph Adams claims there has been a resurgence in interest in post-apocalyptic science fiction, and asks: "So why the resurgence? Is it because the political climate now is reminiscent of the climate during the Cold War?" This sets the stage that this book is going to have a left-wing political bend, and it does. Its not pervasive, but just enough to be annoying.
Some examples include M. Rickert's story "Bread and Bombs" with "is in response to news reports concerning food packages being dropped in Afghanistan which were wrapped in the same color packaging as bombs - which detonated when picked up by hungry children."
Jerry Oltion ("Judgment Passed") "has strong views on religion - namely that its a scourge on humanity".
"Killers" by Carol Emshwiller "grew out of Emshwiller's objections to the war in Iraq. The American people have been told that we're fighting terrorists over there so we don't have to fight them over here." Her story "ponders what it would be like afterward if such a war did come to our shores." Perhaps she came up with this anti-war message while washing diapers by oil lamp on an old style washboard down by the river, as Adams tells us is her lifestyle.
The only counter here is Orson Scott Card's story "Salvage" which is an homage to his Mormon faith.
The rest of the stories are good post-apocalyptic fiction - some better than others. "The People of Sand and Slag" by Paolo Bacigalupi was excellent, as was "Dark, Dark Were the Tunnels" (written in 1973) by George R.R. Martin, and "When Sysadmins rules the Earth" by Cory Doctorow.
If you're looking for some escapist post-apocalyptic fiction that's not peppered with leftist authors belching up their political opinions, try something else. If that does appeal to you, you can probably find another book with a little more fresh content.
I did enjoy the irony of Adam's introduction going right into Stephen King's 1986 story "The End of the Whole Mess", which goes on the premise that the water around Waco, Texas contains some element that calms people, making Waco the safest, most non-violent area in the world. Of course, seven years later, there was indeed some very serious violence in Waco. I very much doubt that Adams, Rickert and Emschwiller would describe the government administration that perpetrated that event on American citizens as contributing to a political climate reminiscent of the climate during the Cold War, or Soviet Russia for that matter.
DOOM! DOOM! DOOM! February 11, 2008 15 out of 18 found this review helpful
A tightly themed, well executed collection: Wastelands captures our apocalypse fears and fantasies equally well and sometimes even simultaneously.
Adams wisely chooses Stephen King's "The End of the Whole Mess" as an opener and moves into all manner of exciting territory from there. Wastelands is the expected mix of strong (and some average) short stories; most of them have a high re-read score and there is an good mix of diverse ideas and themes that keep within the central focus.
THAT SAID: if you are considering this one, read the introduction before you make the purchase. This isn't about zombie plagues or alien invasions or black holes ripping through our space-time continuum. This is about somewhat more plausible apocalypses. Even when they're totally unexplained.
Most of these stories I enjoyed as much as I expected (e.g., "Speech Sounds") and some less so (e.g., "When Sysadmins Ruled the Earth") and some more so (e.g., "Salvage"). I won't enumerate the themes you expect in an apocalypse-themed collection; they're all here and they're all in full force. I will remark on the following, however:
* I was a bit amused by how many of these shorts featured nomads; ** and more so by how often those nomads were of the carny folk variety. * The stories seem to be pretty "current" in their bio-engineered plagues and their genetic fall-out and their post-Peak Oil crises and 9/11-kneejerks; the last star in my review would have been earned by but one thorough and explicit treatment of WW3-ish nuclear winter. * Remember: you brought this on yourself.
Tomorrow never comes. June 19, 2008 7 out of 8 found this review helpful
Somebody once said that after a disaster there is always at least one survivor to tell the story to others. But what if you are the sole survivor and there is no-one else on Earth to talk to?
Long ago I read a SF-story (or should I say a post-apocalyptic story? Oh well, what's in a name?) about a man who was not only the sole survivor of the human species but of all existing life including vegetation. Because of his injuries he could only crawl. After several months he finally reached the Ocean, crawled into the water and died. His decomposing body would provide the Ocean with atoms and molecules so that in a far future, new life could emerge from it.
Because of the atomic bomb on Hiroshima and the Cold War, post-apocalyptic literature was popular. But the fall of the Berlin Wall meant also the end of post-apocalyptic literature.
Today there is a revival of this genre. Probably because adventure and the possibility of starting all-over have a kind of charm. Maybe the most notorious example is Cormac McCarthy who received the Pulitzer-Price for his novel 'The Road'.
In this collection, you won't find stories where an invasion by Aliens or an uprising of Zombies are responsible for wastelands all over the globe. The editor of this anthology, John Joseph Adams, says that they could be the subject for another anthology. The best thing I can do right now is to give you the name of each author and the title of his/her story.
The End of the Whole Mess - Stephen King Salvage - Orson Scott Card The People of Sand and Slag - Paolo Bacigalupi Bread and Bombs - M. Rickert How We Got In Town and Out Again - Jonathan Lethem Dark, Dark Were the Tunnels - George R.R. Martin Waiting for the Zephyr - Tobias S. Buckell Never Despair - Jack McDevitt When Sysadmins Ruled the Earth - Cory Doctorow The Last of the O-Forms - James Van Pelt Still Life with Apocalypse - Richard Kadrey Artie's Angels - Catherine Wells Judgement Passed - Jerry Oltion Mute - Gene Wolfe Inertia - Nancy Kress And the Deep blue Sea - Elisabeth Bear Speech Sounds - Octavia E. Butler Killers - Carol Emshwiller Ginny Sweethips' Flying Circus - Neal Barret, Jr. The End of the World as we Know It - Dale Bailey A Song Before Sunset - David Grigg
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